Harper's New Monthly Magazine, No. XXVI, July 1852, Vol. VVarious
History
Harper's New Monthly Magazine, No. XXVI, July 1852, Vol. V
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
What could I do? I had no book to read. And yet, unless I found out
some method of diverting my mind, I felt certain that I was in the
condition to imagine all sorts of horrors; to rack my brains with
forebodings of every possible and impossible danger; in short, to pass
the night in suffering all conceivable varieties of nervous terror. I
raised myself on my elbow, and looked about the room--which was
brightened by a lovely moonlight pouring straight through the
window--to see if it contained any pictures or ornaments, that I could
at all clearly distinguish. While my eyes wandered from wall to wall,
a remembrance of Le Maistre's delightful little book, "Voyage autour
de ma Chambre," occurred to me. I resolved to imitate the French
author, and find occupation and amusement enough to relieve the tedium
of my wakefulness by making a mental inventory of every article of
furniture I could see, and by following up to their sources the
multitude of associations which even a chair, a table, or a wash-hand
stand, may be made to call forth.
In the nervous, unsettled state of my mind at that moment, I found it
much easier to make my proposed inventory, than to make my proposed
reflections, and soon gave up all hope of thinking in Le Maistre's
fanciful track--or, indeed, thinking at all. I looked about the room
at the different articles of furniture, and did nothing more. There
was, first, the bed I was lying in--a four-post bed, of all things in
the world to meet with in Paris!--yes, a thorough clumsy British
four-poster, with the regular top lined with chintz--the regular
fringed valance all round--the regular stifling, unwholesome curtains,
which I remembered having mechanically drawn back against the posts,
without particularly noticing the bed when I first got into the room.
Then, there was the marble-topped wash-hand stand, from which the
water I had spilt, in my hurry to pour it out, was still dripping,
slowly and more slowly, on to the brick floor. Then, two small chairs,
with my coat, waistcoat, and trowsers flung on them. Then, a large
elbow chair covered with dirty-white dimity: with my cravat and
shirt-collar thrown over the back. Then, a chest of drawers, with two
of the brass handles off, and a tawdry, broken china inkstand placed
on it by way of ornament for the top. Then, the dressing-table,
adorned by a very small looking-glass, and a very large pincushion.
Then, the window--an unusually large window. Then, a dark old picture,
which the feeble candle dimly showed me. It was the picture of a
fellow in a high Spanish hat, crowned with a plume of towering
feathers. A swarthy sinister ruffian, looking upward; shading his eyes
with his hand, and looking intently upward--it might be at some tall
gallows at which he was going to be hanged. At any rate he had the
appearance of thoroughly deserving it.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account