I was sitting in front of the box one night with Ada; and Richard was in the place he liked best, behind Ada's chair; when, happening to look down into the pit, I saw Mr. Guppy, with his hair flattened down upon his head, and woe depicted in his face, looking up at me. I felt, all through the performance, that he never looked at the actors, but constantly looked at me, and always with a carefully prepared expression of the deepest misery and the profoundest dejection. It quite spoiled my pleasure for that night, because it was so very embarrassing and so very ridiculous. But, from that time forth, we never went to the play, without my seeing Mr. Guppy in the pit--always with his hair straight and flat, his shirt-collar turned down, and a general feebleness about him. If he were not there when we went in, and I began to hope he would not come, and yielded myself for a little while to the interest of the scene, I was certain to encounter his languishing eyes when I least expected it, and, from that time, to be quite sure that they were fixed upon me all the evening. I really can not express how uneasy this made me. If he would only have brushed up his hair, or turned up his collar, it would have been bad enough; but to know that that absurd figure was always gazing at me, and always in that demonstrative state of despondency, put such a constraint upon me that I did not like to laugh at the play, or to cry at it, or to move, or to speak. I seemed able to do nothing naturally. As to escaping Mr. Guppy by going to the back of the box, I could not bear to do that; because I knew Richard and Ada relied on having me next them, and that they could never have talked together so happily if any body else had been in my place. So there I sat, not knowing where to look--for wherever I looked, I knew Mr. Guppy's eyes were following me--and thinking of the dreadful expense to which this young man was putting himself, on my account. [Illustration: MR. GUPPY'S DESOLATION.]