Harper's New Monthly Magazine, No. XXVII, August 1852, Vol. VVarious
History
Harper's New Monthly Magazine, No. XXVII, August 1852, Vol. V
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
On the utterance of these words, the priest, who had heard all that
had passed, left his hiding-place, and appeared in the room.
"I can not believe, sir," said he, "that you are leagued with my
persecutors; and I therefore willingly confide in you. What do you
require of me?"
The noble confidence of the priest--the saint-like purity expressed
in his features--must have struck even an assassin with respect. The
mysterious personage who had intruded on the scene of misery and
resignation which the garret presented, looked silently for a moment
on the three beings before him, and then, in tones of secrecy, thus
addressed the priest:
"Father, I come to entreat you to celebrate a mortuary mass for the
repose of the soul of--of a--of a person whose life the laws once
held sacred, but whose corpse will never rest in holy ground."
An involuntary shudder seized the priest, as he guessed the hidden
meaning in these words. The nuns unable to imagine what person was
indicated by the stranger, looked on him with equal curiosity and
alarm.
"Your wish shall be granted," said the priest, in low, awe-struck
tones. "Return to this place at midnight, and you will find me ready
to celebrate the only funeral service which the church can offer in
expiation of the crime to which I understand you to allude."
The stranger trembled violently for a moment, then composed himself,
respectfully saluted the priest and the two nuns, and departed
without uttering a word.
About two hours afterward, a soft knock at the outer door announced
the mysterious visitor's return. He was admitted by Sister Agatha,
who conducted him into the second apartment of their modest retreat,
where every thing had been prepared for the midnight mass. Near the
fire-place the nuns had placed their old chest of drawers, the
clumsy workmanship of which was concealed under a rich altar-cloth
of green velvet. A large crucifix, formed of ivory and ebony was
hung against the bare plaster wall. Four small tapers, fixed by
sealing-wax on the temporary altar, threw a faint and mysterious
gleam over the crucifix, but hardly penetrated to any other part of
the walls of the room. Thus almost exclusively confined to the
sacred objects immediately above and around it, the glow from the
tapers looked like a light falling from heaven itself on that
unadorned and unpretending altar. The floor of the room was damp.
The miserable roof, sloping on either side, was pierced with rents,
through which the cold night air penetrated into the rooms. Nothing
could be less magnificent, and yet nothing could be more truly
solemn than the manner in which the preliminaries of the funeral
ceremony had been arranged. A deep, dread silence, through which the
slightest noise in the street could be heard, added to the dreary
grandeur of the midnight scene--a grandeur majestically expressed by
the contrast between the homeliness of the temporary church, and the
solemnity of the service to which it was now devoted. On each side
Public-domain text, read in full here on John Shaqi.
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