Harper's New Monthly Magazine, No. XXVII, August 1852, Vol. VVarious
History
Harper's New Monthly Magazine, No. XXVII, August 1852, Vol. V
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
He was a fat old gentleman with a false complexion, false teeth,
false whiskers, and a wig. He had a fur collar, and he had a padded
breast to his coat, which only wanted a star or a broad blue ribbon
to be complete. He was pinched in and swelled out, and got up, and
strapped down, as much as he could possibly bear. He had such a
neck-cloth on (puffing his very eyes out of their natural shape),
and his chin and even his ears so sunk into it, that it seemed as
though he must inevitably double up, if it were cast loose. He had,
under his arm, a hat of great size and weight, shelving downward
from the crown to the brim; and in his hand a pair of white gloves,
with which he flapped it, as he stood poised on one leg, in a
high-shouldered, round-elbowed state of elegance not to be
surpassed. He had a cane, he had an eye-glass, he had a snuff-box,
he had rings, he had wristbands, he had every thing but any touch of
nature; he was not like youth, he was not like age, he was like
nothing in the world but a model of Deportment.
"Father! A visitor. Miss Jellyby's friend, Miss Summerson."
"Distinguished," said Mr. Turveydrop, "by Miss Summerson's
presence." As he bowed to me in that tight state, I almost believed
I saw creases come into the whites of his eyes.
"My father," said the son, aside to me, with quite an affecting
belief in him, "is a celebrated character. My father is greatly
admired."
"Go on, Prince! Go on!" said Mr. Turveydrop, standing with his back
to the fire, and waving his gloves condescendingly. "Go on, my son!"
At this command, or by this gracious permission, the lesson went on.
Prince Turveydrop, sometimes, played the kit, dancing; sometimes
played the piano, standing; sometimes hummed the tune with what
little breath he could spare, while he set a pupil right; always
conscientiously moved with the least proficient through every step
and every part of the figure; and never rested for an instant. His
distinguished father did nothing whatever, but stand before the
fire, a model of Deportment.
"And he never does any thing else," said the old lady of the
censorious countenance. "Yet, would you believe that it's _his_ name
on the door-plate?"
"His son's name is the same, you know," said I.
"He wouldn't let his son have any name, if he could take it from
him," returned the old lady. "Look at the son's dress!" It certainly
was plain--threadbare--almost shabby. "Yet the father must be
garnished and tricked out," said the old lady, "because of his
Deportment. I'd deport him! Transport him would be better!"
I felt curious to know more, concerning this person. I asked, "Does
he give lessons in Deportment, now?"
"Now!" returned the old lady, shortly. "Never did."
After a moment's consideration, I suggested that perhaps fencing had
been his accomplishment.
"I don't believe he can fence at all, ma'am," said the old lady.
Public-domain text, read in full here on John Shaqi.
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