And so Leonard stood beside his friend's mortal clay, and watched, in the ineffable smile of death, the last gleam which the soul had left there; and so, after a time, he crept back to the adjoining room with a step as noiseless as if he had feared to disturb the dead. Wearied as he was with watching, he had no thought of sleep. He sate himself down by the little table, and leaned his face on his hand, musing sorrowfully. Thus time passed. He heard the clock from below strike the hours. In the house of death the sound of a clock becomes so solemn. The soul that we miss has gone so far beyond the reach of time! A cold, superstitious awe gradually stole over the young man. He shivered, and lifted his eyes with a start, half scornful, half defying. The moon was gone--the gray, comfortless dawn gleamed through the casement, and carried its raw, chilling light through the open doorway, into the death-room. And there, near the extinguished fire, Leonard saw the solitary woman, weeping low, and watching still. He returned to say a word of comfort--she pressed his hand, but waved him away. He understood. She did not wish for other comfort than her quiet relief of tears. Again, he returned to his own chamber, and his eyes this time fell upon the papers which he had hitherto disregarded. What made his heart stand still, and the blood then rush so quickly through his veins? Why did he seize upon those papers with so tremulous a hand--then lay them down--pause, as if to nerve himself--and look so eagerly again? He recognized the handwriting--those fair, clear characters--so peculiar in their woman-like delicacy and grace--the same as in the wild, pathetic poems, the sight of which had made an era in his boyhood. From these pages the image of the mysterious Nora rose once more before him. He felt that he was with a mother. He went back, and closed the door gently, as if with a jealous piety, to exclude each ruder shadow from the world of spirits, and be alone with that mournful ghost. For a thought written in warm, sunny life, and then suddenly rising up to us, when the hand that traced, and the heart that cherished it, are dust, is verily as a ghost. It is a likeness struck off of the fond human being, and surviving it. Far more truthful than bust or portrait, it bids us see the tear flow, and the pulse beat. What ghost can the church-yard yield to us like the writing of the dead?