Harper's New Monthly Magazine, No. XXVII, August 1852, Vol. VVarious
History
Harper's New Monthly Magazine, No. XXVII, August 1852, Vol. V
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Leonard sighed. He understood now how Mark Fairfield saw in the
homely features of his unlettered wife the reflection of the
sister's soul and face.
A few words told the final parting--words that were a picture.
The long friendless highway, stretching on--on--toward the
remorseless city. And the doors of home opening on the desolate
thoroughfare--and the old pollard tree beside the threshold, with
the ravens wheeling round it and calling to their young. He too had
watched that threshold from the same desolate thoroughfare. He too
had heard the cry of the ravens. Then came some pages covered with
snatches of melancholy verse, or some reflections of dreamy gloom.
The writer was in London, in the house of some highborn
patroness--that friendless shadow of a friend which the jargon of
society calls "companion." And she was looking on the bright storm
of the world as through prison bars. Poor bird, afar from the
greenwood, she had need of song--it was her last link with freedom
and nature. The patroness seems to share in her apprehensions of the
boy suitor, whose wild rash prayers the fugitive had resisted: but
to fear lest the suitor should be degraded, not the one whom he
pursues--fears an alliance ill-suited to a highborn heir. And this
kind of fear stings the writer's pride, and she grows harsh in her
judgment of him who thus causes but pain where he proffers love.
Then there is a reference to some applicant for her hand, who is
pressed upon her choice. And she is told that it is her duty so to
choose, and thus deliver a noble family from a dread that endures so
long as her hand is free. And of this fear, and of this applicant,
there breaks out a petulant yet pathetic scorn. After this, the
narrative, to judge by the dates, pauses for days and weeks, as if
the writer had grown weary and listless--suddenly to reopen in a new
strain, eloquent with hopes, and with fears never known before. The
first person was abruptly assumed--it was the living "I" that now
breathed and moved along the lines. How was this? The woman was no
more a shadow and a secret unknown to herself. She had assumed the
intense and vivid sense of individual being. And love spoke loud in
the awakened human heart.
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