Harper's New Monthly Magazine, No. XXVII, August 1852, Vol. VVarious
History
Harper's New Monthly Magazine, No. XXVII, August 1852, Vol. V
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
"In the country a man's spirit is free and easy; his mind is
discharged, and at its own disposal: but in the city, the persons of
friends and acquaintances, one's own and other people's business,
foolish quarrels, ceremonious visits, impertinent discourses, and a
thousand other fopperies and diversions, steal away the greater part
of our time, and leave us no leisure for better and more necessary
employment. Great towns are but a larger sort of prison to the soul,
like cages to birds, or 'pounds' to beasts."
* * * * *
There is a good story told, and we believe a new one--(at least, so
far as we know, it is such, as the manuscript which records it is
from a traveled friend, in whose "hand-of-write" it has remained
long in the "Drawer")--a story of Samuel Rogers, the rich banker,
and accomplished poet of "The Pleasures of Memory:"
Rogers arrived at Paris at noon one day in the year 18--. He found
all his countrymen prepared to attend a splendid party at
Versailles. They were all loud in expressing their regrets that he
could not accompany them. They were "very sorry"--but "the thing was
impossible:" "full court-dresses alone were admissible;" and to
obtain one _then_--why "of course it was in vain to think of it."
Rogers listened very patiently; told them to "leave him entirely to
himself;" and added, that "he was sure he could find some amusement
somewhere."
No sooner were they gone, than he began to dress; and within the
space of a single hour he was on the road to Versailles, fully
equipped, in a blue coat, white waistcoat, and drab pantaloons. At
the door of the splendid mansion in which the company were
assembled, his further progress was opposed by a servant whose
livery was far more showy and imposing than his own costume.
Rogers affected the utmost astonishment at the interruption, and
made as if he would have passed on. The servant pointed to his
dress:
"It is not _comme il faut_: you can not pass in: Monsieur must
retire."
"Dress! dress!" exclaimed Rogers, with well-feigned surprise: "Not
pass! not enter! Why, mine is the same dress that is worn by the
_General Court_ at Boston!"
No sooner were the words uttered, than the doors flew open, and the
obsequious valet, "booing and booing," like Sir Pertinax
Macsycophant in the play, preceded the poet, and in a loud voice
announced:
"_Monsieur le General Court, de Boston!_"
The amusement of the Americans in the group scarcely exceeded that
of the new-made "General" himself.
On another occasion, Rogers relates, he was announced at a Parisian
party as "Monsieur le Mort," by a lackey, who had mistaken him for
"Tom Moore."
Not unlike an old New-Yorker, who was announced from his card as
"_Monsieur le Koque en Bow!_"
His simple name was Quackenbos!
Public-domain text, read in full here on John Shaqi.
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