Harper's New Monthly Magazine, No. XXVII, August 1852, Vol. VVarious
History
Harper's New Monthly Magazine, No. XXVII, August 1852, Vol. V
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
You see I am growing garrulous, and do not come to Saratoga by
steam. But I did come, fresh from that triumph, and full of it. I
had been the greatest man of the greatest day in a town not five
hundred miles away, and could not but feel that my fame must have
excited Saratoga. With what modest trembling I wrote my name in the
office-book. The man scarcely looked at it, but wrote a number
against it, shouted to the porter to take Mr. ----'s (excuse my
name) luggage to No. 310, and I mechanically followed that
functionary, and observed that not a single loiterer in the office
raised his head at my name.
But worse than that, the name seemed to be of no consequence. I was
no longer Mr. ---- with "the valedictory addresses," &c, &c.
(including the thousand eyes). I was merely No. 310--and you too
have already observed, I am sure, wherever you are passing the
summer, that you are not an individual at a Watering-Place. You lose
your personal identity in a great summer hotel, as you would in a
penitentiary; you are No. this or No. that. It is No. 310 who wishes
his Champagne frappé. It is No. 310 who wishes his card taken to No.
320. It is No. 310 who goes in the morning, pays his bill, and
hears, as the porter slings on his luggage and takes his shilling,
"put No. 310 in order."
This is one of the humiliating aspects of Watering-Place life. You
are one of a mass, and distinguished by your number. Yet you can
never know the mortifying ignominy of such treatment until it comes
directly upon the glory of a commencement, at which you have
absorbed all other individuality into yourself.
I reached Saratoga and came down to dinner. I could not help
laughing at the important procession of negro-waiters stamping in
with the different courses, and concentrating attention upon their
movements. I felt then, instinctively, how it is the last degree of
vulgarity--that the serving at table instead of being noiseless as
the wind that blows the ship along, is the chief spectacle and
amusement at dinner. Dinner at Saratoga, or Newport, or Niagara is a
grand military movement of black waiters, who advance, halt, load,
present, and fire their dishes, and in which the elegant ladies and
the elegant gentlemen are merely lay-figures, upon which the African
army exercise their skill by not hitting or spilling. For the first
days of my residence it was a quiet enjoyment to me to see with what
elaborate care the fine ladies and gentlemen arrayed themselves to
play their inferior parts at dinner. The chief actors in the
ceremony--the negro waiters--ran, a moment before the last bell, to
put on clean white jackets and when the bell rang, and the puppets
were seated--fancying, with charming naïveté, that they were the
principle objects of the feast--then thundered in the sable host and
deployed right and left, tramping like the ghost in Don Giovanni,
thumping, clashing, rattling, and all thought of elegance or
propriety was lost in the universal tumult.
Public-domain text, read in full here on John Shaqi.
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