Something of the same notion was in Scott's thoughts when, smarting from a severe but not unjust or ungenerous review of Marmion, he said that Jeffrey loved to see imagination best when it is bitted and managed, and ridden upon the _grand pas_. He did not make sufficient allowance for starts and sallies and bounds, when Pegasus was beautiful to behold, though sometimes perilous to his rider. He would have had control of horse as well as rider, Scott complained, and made himself master of the ménage to both. But on the other hand this was often very possible; and nothing could then be conceived more charming than the earnest, playful, delightful way in which his comments adorned and enriched the poets he admired. Hogarth is not happier in Charles Lamb's company, than is the homely vigor and genius of Crabbe under Jeffrey's friendly leading; he returned fancy for fancy to Moore's exuberance, and sparkled with a wit as keen; he "tamed his wild heart" to the loving thoughtfulness of Rogers, his scholarly enthusiasm, his pure and vivid pictures; with the fiery energy and passionate exuberance of Byron, his bright, courageous spirit broke into earnest sympathy; for the clear and stirring strains of Campbell he had an ever lively and liberal response; and Scott, in the midst of many temptations to the exercise of severity never ceased to awaken the romance and generosity of his nature. His own idea of the more grave critical claims put forth by him in his early days, found expression in later life. He had constantly endeavored, he said, to combine ethical precepts with literary criticism. He had earnestly sought to impress his readers with a sense, both of the close connection between sound intellectual attainments, and the higher elements of duty and enjoyment; and of the just and ultimate subordination of the former to the latter. Nor without good reason did he take this praise to himself. The taste which Dugald Stewart had implanted in him, governed him more than any other at the outset of his career; and may often have contributed not a little, though quite unconsciously, to lift the aspiring young metaphysician somewhat too ambitiously above the level of the luckless author summoned to his judgment seat. Before the third year of the review had opened, he had broken a spear in the lists of metaphysical philosophy even with his old tutor, and with Jeremy Bentham, both in the maturity of their fame; he had assailed, with equal gallantry, the opposite errors of Priestley and Reid; and, not many years later, he invited his friend Alison to a friendly contest, from which the fancies of that amiable man came out dulled by a superior brightness, by more lively, varied, and animated conceptions of beauty, and by a style which recommended a more than Scotch soberness of doctrine with a more than French vivacity of expression.