Harper's New Monthly Magazine, Vol. 1. No 1, June 1850Various
General
Harper's New Monthly Magazine, Vol. 1. No 1, June 1850
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Of that branch of this learned body which held its meetings at
Nuremberg, Hans Sachs became, in due time, a distinguished member. His
origin was obscure--the son of a tailor, and a shoemaker by trade. The
occupations of his early life afforded but little scope for the
cultivation of those refined pursuits which afterward made him
remarkable. The years of his boyhood were spent in the industrious
pursuit of his lowly calling; but when he had arrived at the age of
eighteen, a famous minstrel, Numenbach by name, chancing to pass his
dwelling, the young cobbler was attracted by his dulcet strains, and
followed him. Numenbach gave him gratuitous instruction in his tuneful
art, and Hans Sachs forthwith entered upon the course of probationary
wandering, which was an essential qualification for his degree. The
principal towns of Germany by turns received the itinerant minstrel, who
supported himself by the alternate manufacture of verses and of shoes.
After a protracted pilgrimage of several years, he returned to
Nuremberg, his native city, where, having taken unto himself a wife, he
spent the remainder of his existence; not unprofitably, indeed, as his
voluminous works still extant can testify. We had once the pleasure of
seeing an edition of them in the library at Nuremberg, containing two
hundred and twelve pieces of poetry, one hundred and sixteen sacred
allegories, and one hundred and ninety-seven dramas--a fertility of
production truly wonderful, and almost incredible, if we reflect that
the author had to support a numerous family by the exercise of his lowly
trade.
The writings of this humble artisan proved an era, however, in the
literary history of Germany. To him may be ascribed the honor of being
the founder of her school of tragedy as well as comedy; and the
illustrious Goethe has, upon more than one occasion, in his works,
expressed how deeply he is indebted to this poet of the people for the
outline of his immortal tragedy of "Faust." Indeed, if we recollect
aright, there are in his works several pieces which he states are after
the manner of Hans Sachs.
The Lord of Vogelweid, whose name we find occupying so conspicuous a
position in the roll of the original Meistersingers, made rather a
curious will--a circumstance which we find charmingly narrated in the
following exquisite ballad:
"WALTER VON DER VOGELWEID."
"Vogelweid, the Minnesinger,
When he left this world of ours,
Laid his body in the cloister,
Under Wurtzburg's minster towers.
"And he gave the monks his treasure,
Gave them all with this bequest--
They should feed the birds at noontide,
Daily, on his place of rest.
"Saying, 'From these wandering minstrels
I have learned the art of song;
Let me now repay the lessons
They have taught so well and long.
"Thus the bard of lore departed,
And, fulfilling his desire,
On his tomb the birds were feasted,
By the children of the choir.
Public-domain text, read in full here on John Shaqi.
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