Harper's New Monthly Magazine, Vol. 1. No 1, June 1850Various
General
Harper's New Monthly Magazine, Vol. 1. No 1, June 1850
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
The intellectual power of George Sand is attested by the suffrages of
Europe. The use to which she has put it is another question.
Unfortunately, she has applied it, for the most part, to so bad a use,
that half the people who acknowledge the ascendency of her genius, see
too much occasion to deplore its perversion.
The principles she has launched upon the world have an inevitable
tendency toward the disorganization of all existing institutions,
political and social. This is the broad, palpable fact, let sophistry
disguise or evade it as it may. Whether she pours out an intense novel
that shall plow up the roots of the domestic system, or composes a
proclamation for the Red Republicans that shall throw the streets into a
flame, her influence is equally undeniable and equally pernicious.
It has been frequently urged, in the defense of her novels, that they do
not assail the institution of marriage, but the wrongs that are
perpetrated in its name. Give her the full benefit of her intention, and
the result is still the same. Her eloquent expositions of ill-assorted
unions--her daring appeals from the obligations they impose, to the
affections they outrage--her assertion of the rights of nature over the
conventions of society, have the final effect of justifying the
violation of duty on the precarious ground of passion and inclination.
The bulk of her readers--of all readers--take such social philosophy in
the gross; they can not pick out its nice distinctions, and sift its
mystical refinements. It is less a matter of reasoning than of feeling.
Their sensibility, and not their judgment, is invoked. It is not to
their understanding that these rhapsodies are addressed, but to their
will and their passions. A writer who really meant to vindicate an
institution against its abuses, would adopt a widely different course;
and it is only begging George Sand out of the hands of the jury to
assert that the _intention_ of her writings is opposed to their
_effect_, which is to sap the foundations upon which the fabric of
domestic life reposes.
Public-domain text, read in full here on John Shaqi.
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