Harper's New Monthly Magazine, Vol. 3, July, 1851Various
History
Harper's New Monthly Magazine, Vol. 3, July, 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
How are these curious anomalies to be explained? There is, it appears to
us, a striking analogy between the actions as they are performed by the
blind and those executed by somnambulists, who are insensible to light;
the exaltation of the sense of touch, in blindness, is so great, that
some physiologists have conceived the existence of a _sixth_ sense--the
muscular sense--which communicates the impression before the actual
contact of objects. This muscular sense is supposed by Dr. Fowler to
adjust the voice, the eye, and the ear, to the distances at which sounds
are to be heard, and objects seen. It may, perhaps, be described as a
peculiar exaltation of the sense of feeling. A lady during her
somnambulism, observed to Despine, her physician, "You think that I do
not know what is passing around me; but you are mistaken. I see nothing;
but I _feel_ something that makes an impression on me, which I can not
explain." Another somnambulist, a patient of Hufeland, used to say
invariably, "I feel"--"I am conscious" of the existence of this or that
object. The blind girl, Jane Sullivan, described by Dr. Fowler, could,
without a guide, feel her way to every part of the work-house, and
recognize all its inmates by the feel of their hands and clothes. It is
said of Laura Bridgman, that she could, in walking through a passage,
with her hands spread before her, recognize her companions, and could in
this way distinguish even their different degrees of intellect; nay,
that she would regard with contempt a new-comer, after discovering her
weakness of mind. It has been also observed, that the pupils in the
Manchester Asylum for the Blind are aware, by this muscular sense, of
their approach, even to a lamp-post, before actually coming against or
up to it. May not the somnambulist walking through intricate passages
and performing complicated manual operations in the dark, have his
movements guided by this sense? May he not, in like manner, be sensible
of his approach to obstructing obstacles, and may not this sense, in a
higher degree of development, lead to perceptions, which are ordinarily
conveyed to the mind through their appropriate and respective organs?
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