I do not know from experience the Scottish hospitality which M. Scribe has lauded in one of his _vaudevilles_. But I know what to think of that of the county of Middlesex capital--London. Here I can assure you it is never given, but always sold. London is the town of closed doors. You feel yourself more a foreigner here than in any other country. On strolling along the spacious squares and magnificent streets in which civilization displays all its marvels, you seek in vain for some fissure by which to introduce yourself into English society, which is thickly steeped in individualism. With letters of recommendation, if of high authority, you may, it is true, gain access to a family of the middle class; and, once received, you will be well treated. But what conditions you must fulfill to gain that! You must lead a life like that of the cloister, and sacrifice all your dearest habits. The Englishman, though he invented the word eccentric, does not tolerate eccentricity in a foreigner. And, on the whole, the _bourgeoise_ hospitality is not worth the sacrifices it costs. We must not, however, be angry with the English for being so little communicative with foreigners, since they scarcely communicate among themselves. The extent of distances and the fatigue of serious affairs are the principal causes of this. It is almost only in the evening you can visit them, and in the evening they are overwhelmed with fatigue. Besides this, all the usages of the English show that they are not naturally sociable. The cellular system of taverns, in which every person is confined in a sort of box without a lid; the silent clubs, in which some write while others read the papers, and only interrupt themselves to make a sign of "good evening" with the hand--all that sort of thing constitutes an existence which the French have the irreverence to call selfish. Among the high aristocracy, hospitality is a great and noble thing; but it is more accessible to the wealthy tallow chandler than to a writer or an artist of genius. In England, with the exception of Dickens and Bulwer, the literary man is less considered than the comedian was in France a century ago. In France, it is admirable to witness the fusion of the aristocracies of family, money, and intelligence. Artists and poets are invited to all the _fêtes_ of high society. As soon as a writer has raised himself somewhat above the vulgar, he perceives that the great ones of this world occupy themselves with him, show him protection and sympathy. But what is a man of intelligence here in London? He is an animal less considered than the lowest coal-dealer in the city. And what is the consequence of this neglect of arts and literature? That England is almost reduced to the necessity of robbing our artists and writers. The theatres in particular pirate from us with unexampled effrontery.