Harper's New Monthly Magazine, Vol. 3, July, 1851Various
History
Harper's New Monthly Magazine, Vol. 3, July, 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
What are they? Do they belong strictly to the domain of physics or of
metaphysics? How nearly are they allied to insanity? May there not be a
species of spiritual intoxication created by immaterial alcohol,
producing, through the medium of the mind, the same bodily absurdities
as your fluid alcohol produces through the directer agency of the body
itself? How far can they be urged as extenuating or even defending
misdemeanors and crimes? To guide me in my speculations, I run over a
few cases that I can call to mind at once.
There is a general fact, that no sooner have you mounted to a great
eminence, than a mysterious impulse urges you to cast yourself over into
space, and perish. Nearly all people feel this; nearly all conquer it in
this particular; but some do not: and there may be a great doubt as to
whether all who have perished from the tops of the monuments have been
truly suicides. Then, again, with water: when you see the clear river
sleeping beneath--when you see the green waves dancing round the
prow--when you hear and see the roaring fury of a cataract--do you not
as surely feel a desire to leap into it, and be absorbed in oblivion?
What is that impulse but a perpetual calenture?--or may not the theory
of calentures be all false, and the results they are reported to cause
be in reality the results of morbid impulses? I have sat on the deck of
a steamer, and looked upon the waters as they chafed under the perpetual
scourging of the paddles; and I have been compelled to bind myself to
the vessel by a rope, to prevent a victory to the morbid impulses that
have come upon me. Are not Ulysses and the Sirens merely a poetic
statement of this common feeling?
But one of the most singular instances of morbid impulses in connection
with material things, exists in the case of a young man who not very
long ago visited a large iron manufactory. He stood opposite a huge
hammer, and watched with great interest its perfectly regular strokes.
At first it was beating immense lumps of crimson metal into thin, black
sheets; but the supply becoming exhausted, at last it only descended on
the polished anvil. Still the young man gazed intently on its motion;
then he followed its strokes with a corresponding motion of his head;
then his left arm moved to the same tune; and finally, he deliberately
placed his fist upon the anvil, and in a second it was smitten to a
jelly. The only explanation he could afford was that he felt an impulse
to do it; that he knew he should be disabled; that he saw all the
consequences in a misty kind of manner; but that he still felt a power
within, above sense and reason--a morbid impulse, in fact, to which he
succumbed, and by which he lost a good right hand. This incident
suggests many things, besides proving the peculiar nature and power of
morbid impulses: such things, for instance, as a law of sympathy on a
scale hitherto undreamt of, as well as a musical tune pervading all
things.
Public-domain text, read in full here on John Shaqi.
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