Harper's New Monthly Magazine, Vol. 3, No. 15, August, 1851Various
General
Harper's New Monthly Magazine, Vol. 3, No. 15, August, 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Once we found ourselves below stairs and in one of the courts. There, on
passing through the door-way, you stood on a sort of terrace, above your
head a ceiling rich with ponderous wreaths of fruit and flowers, and
other stucco ornaments of the same style, which probably had once been
gilt, and with fading frescoes of gods, goddesses, and Cupids!
This old part of the Royal Palace of Munich is quite a little town. We
discovered also a little tiny chapel, now quite forgotten in the glory
of Hess's frescoes, and the beauty of the new _Hof-Kapelle_. To-day this
old chapel was open, hung with black cloth, and illuminated with
numberless waxen tapers, and the altar verdant with shrubs and plants,
placed upon the altar steps. There was, however, a remarkably mouldy,
cold smell in the place; but I suppose the royal procession visited this
old chapel as well as the new one, on its way to the Hercules Hall.
This _cortège_, with the king and his brother walking beneath a splendid
canopy, and attended priests and courtiers, went, I believe, wandering
about a considerable time, to the edification of the populace, out of
all this, excepting from hearsay, I can not speak, having considered it
as the wiser thing for us to return to Madame Thekla and our door,
rather than await it.
The Hercules Hall is rather small; and certainly more ugly than
beautiful, with numbers of old-fashioned chandeliers hanging from the
ceiling; a gallery at each end supported by marble pillars, with a row
of tall windows on either side; a dark, inlaid floor of some brown wood;
but with no sign whatever of Hercules to be seen. Suffice it to say,
that having noticed all this at a glance, we observed, in the centre of
the hall, a small altar covered with white linen, and bearing upon it
golden candlesticks, a missal bound in crimson velvet, a vailed
crucifix, and a golden ewer standing in a golden dish. On one side of
the altar rose a tall reading-desk, draped with sulphur-colored cloth,
upon which lay a large open book: a row of low, crimson stools stood
along the hall, opposite the altar; on the other side, across the
windows, ran a white and very long ottoman, raised upon a high step
covered with crimson cloth, and chairs of state were arranged at either
end of the hall below the galleries. The arrival of people below was
gradual, although our gallery and the gallery opposite had been crowded
for hours. We at length had the pleasure of seeing something commence.
Public-domain text, read in full here on John Shaqi.
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