Harper's New Monthly Magazine, Vol. 3, No. 15, August, 1851Various
General
Harper's New Monthly Magazine, Vol. 3, No. 15, August, 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Finally, it follows from these remarks, that we expect every year to
hear less and less of the aberrations of genius. And that for various
reasons. First, fewer and fewer will, under our present state of
culture, claim to be considered as men of genius, and the public is less
likely to be troubled with the affected oddities of pretenders, and the
_niaiseries_ of monkeys run desperate. Then, again, the profession of
letters is now less likely to be chosen by men of gifts, it is so
completely overdone; and need we say, that as a profession, its
exceeding precariousness and the indefinite position it gives to the
literary man have been very pernicious to his morals and his peace. Then
"The old world _is_ coming right,"
and as it rights, is learning more to respect the literary character, to
understand its peculiar claims, and to allow for its SINLESS
infirmities. Lastly--and chief of all, men of letters are _beginning_ to
awaken--are feeling the strong inspiration of common sense--are using
literature less as a cripple's crutch and more as a man's staff--are
becoming more charitable to each other, and are sensible with a
profounder conviction that literature, as well as life, is a serious
thing, and that for all its "idle words" they must give an account at
the day of judgment. May this process be perfected in due time. And may
all, however humble, who write, feel that they have each his special
part to play in this work of perfectionment!
We are very far from being blind worshipers of Thomas Carlyle. We
disapprove of much that he has written. We think, that unintentionally,
he has done deep damage to the realities of faith, as well as to the
"shams" of hypocrisy. He has gone out from the one ark and has not
returned like the dove with the olive leaf--but rather, like the raven,
strayed and croaked hopelessly over the carcasses of this weltering age.
And our grief, at reading one or two of his recent pamphlets (which
posterity will rank with such sins of power, as the wilder works of
Swift and Byron), resembled that of a son whose father had disgraced his
gray hairs by a crime or outrage. But even in the depth of this
undiminished feeling of sorrow, we must acknowledge that no writer, save
Milton and Wordsworth, has done so much in our country to restore the
genuine respectability, and to proclaim the true mission of literature.
In his hands and on his eloquent tongue it appears no idle toy for the
amusement of the lovesick or the trifling--no mere excitement--but a
profound, as well as beautiful reality--to be attested, if necessary, by
a martyr's tears and blood, and at all events by the life and
conversation of an honest and virtuous man. And he has himself so
attested it. With Scott, literature was a great money-making machine.
With Byron it was the trunk of a mad elephant, through which he squirted
out his spite at man, his enmity at God, and his rage at even his own
shadow.
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