Moore had long cherished a hope of allying his poetry with the expressive music of Ireland; of giving appropriate vocal utterance to the strains which had broken fitfully from out the tumults and tramplings of centuries of unblest rule. A noble task! in which even partial success demands great powers and deserves high praise. The execution of the long-meditated design now commenced; and the "Melodies," as they appeared, obtained immense and well-deserved popularity. It is upon these his fame, as a poet, will mainly rest; and no one can deny that, as a whole, they exhibit great felicity of expression, and much graceful tenderness of thought and feeling, frequently relieved by flashes of gay and genial wit and humor. No one could be more keenly aware, or could more gracefully acknowledge than Moore the great help to a poet's present reputation of connecting his verse with national or local associations. In 1812 Moore determined on writing an Eastern tale in verse; and his friend Mr. Perry of the "Chronicle" accompanied him to Messrs. Longman, the publishers, to arrange for the sale of a work of which the proposed author had not yet written a line nor even settled the subject. Mr. Perry appears to have been an invaluable intermediary. He proposed at once, as the basis of the negotiation, that Moore should have the largest sum ever given for such a work. "That," observed the Messrs. Longman, "was three thousand guineas." And three thousand guineas it was ultimately covenanted the price should be, thanks to Moore's reputation, and the business abilities of his friend Perry. It was further agreed that the manuscript should be furnished at whatever time might best suit the author's convenience, and that Messrs. Longman should accept it for better for worse, and have no power or right to suggest alterations or changes of any kind. The bargain was altogether a safe one on Moore's side, and luckily it turned out equally profitable for the publishers.