Harper's New Monthly Magazine, vol. 3, no. 18, November, 1851Harper, Various (magazine)
History
Harper's New Monthly Magazine, vol. 3, no. 18, November, 1851
Harper, Various (magazine)
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
The bow so long bent required relaxation, and in the first flush of his
great success, while his ears were still ringing with the applauses, and
his nostrils still titillating with the incense which the press showered
upon "Lalla Rookh," pronounced by general consent--"when they _do_
agree, their unanimity is wonderful"--to be unrivaled as a work of
melody, beauty, and power, Moore set out on a continental tour with his
friend and brother-poet Rogers. On his return to England he published
the "Fudge Family"--not a very brilliant performance, and which, with
the exception of its political hits, is but an imitation of "Les
Anglaises Pour Rire." He also worked at the "Melodies," and wrote
articles for the "Edinburgh Review." In 1818 one of the most pleasing
incidents in his life occurred. A public dinner was given in his honor
at Dublin, the Earl of Charlemont in the chair--the poet's venerable
father, Garret Moore, being present on the chairman's right hand, the
honored and delighted witness of the enthusiastic welcome bestowed upon
his son by his warm-hearted fellow-countrymen. Moore made a graceful,
cleverly-turned speech; but he was no orator: few literary men are. He
could not think upon his legs; and you could see by the abstraction of
his look that he was not speaking, in the popular sense, but reciting
what had previously been carefully composed and committed to memory.
Such speeches frequently read well, but if long, they are terrible
things to sit and hear.
The following year Moore accompanied Lord John Russell on a continental
tour, taking the road of the Simplon to Italy. Lord John went on to
Genoa, and Moore directed his steps toward Venice, for the purpose of
seeing Byron. It was during this visit the noble lord made Moore a
present of his personal memoirs, for publication after the writer's
death. Moore gives the following account of the transaction: "We were
conversing together when Byron rose and went out. In a minute or two he
returned carrying a white leathern bag. 'Look here!' he said, holding it
up, 'this would be worth something to Murray, though you, I daresay,
would not give sixpence for it.' 'What is it?' I asked, 'My life and
adventures,' he answered. On hearing this I raised my hands in a
gesture. 'It is not a thing that can be published during my life, but
you may have it if you like: then do whatever you please with it.' In
taking the bag, and thanking him most warmly, I added: 'This will make a
nice legacy for my little Tom, who shall astonish the latter end of the
nineteenth century with it.' He then added: 'You may show it to any of
your friends you think worthy of it.' This is as nearly as I can
recollect all that passed." These memoirs Moore sold to Murray for two
thousand guineas, but at Lord Byron's death, his executors and family
induced Moore to repay Mr. Murray and destroy the manuscript. The
precise reasons which decided Moore to yield to the solicitations of the
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account