The Orient is that primeval and perpetual noon. That very heat explains to you the voluptuous elaboration of its architecture, the brilliance of its costume, the picturesqueness of its life. But no Mozart was needed to sow Persian gardens with roses breathing love and beauty, no Beethoven to build mighty Himmalayas, no Rossini to sparkle and sing with the birds and streams. Those realities are there, of which the composers are the poets to Western imaginations. In the East, you feel and see music, but hear it never. Yet, in Cairo and Damascus the poets sit at the cafés, surrounded by the forms and colors of their songs, and recite the romances of the Arabian Nights, or of Aboo Zeyd, or of Antar, with no other accompaniment than the tár, or the rabáb, then called the "Poet's Viol," and in the same monotonous strain. Sometimes the single strain is touching, as when on our way to Jerusalem, the too-enamored camel-driver, leading the litter of the fair Armenian, saddened the silence of the desert noon with a Syrian song. The high, shrill notes trembled and rang on the air. The words said little, but the sound was a lyric of sorrow. The fair Armenian listened silently as the caravan wound slowly along, her eyes musingly fixed upon the East, where the flower-fringed Euphrates flows through Bagdad to the sea. The fair Armenian had her thoughts, and the camel-driver his; also the accompanying Howadji listened and had theirs. The Syrian songs of the desert are very sad. They harmonize with the burning monotony of the landscape in their long recitative and shrill wail. The camel steps more willingly to that music, but the Howadji, swaying upon his back, is tranced in the sound, so naturally born of silence. Meanwhile our crew are singing, although we have slid upon their music, and the moonlight, far forward into the desert. But these are the forms and feelings that their singing suggested. While they sang I wandered over Sahara, and was lost in the lonely Libyan hills--a thousand simple stories, a thousand ballads of love and woe trooped like drooping birds through the sky-like vagueness of my mind. Rosamond Grey, and the child of Elle passed phantom-like with vailed faces--for love, and sorrow, and delight, are cosmopolitan, building bowers indiscriminately of palm-trees or of pines.