Harper's New Monthly Magazine, Vol. II, No. X., March 1851Various
General
Harper's New Monthly Magazine, Vol. II, No. X., March 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
It was a curious and a wonderful gymnastic. There was no graceful
dancing--once only there was the movement of dancing when she advanced,
throwing one leg before the other as gipsies dance. But the rest was
most voluptuous motion--not the lithe wooing of languid passion, but the
soul of passion starting through every sense, and quivering in every
limb. It was the very intensity of motion, concentrated and constant.
The music still swelled savagely in maddened monotony of measure. Hecate
and the old husband, fascinated with the Ghazeeyah's fire, threw their
hands and arms excitedly above their instruments, and an occasional cry
of enthusiasm and satisfaction burst from their lips. Suddenly stooping,
still muscularly moving, Kushuk fell upon her knees, and writhing with
body, arms and head upon the floor, still in measure--still clanking the
castanets, and arose in the same manner. It was profoundly dramatic. The
scenery of the dance was like that of a characteristic song. It was a
lyric of love which words can not tell--profound, oriental, intense, and
terrible. Still she retreated, until the constantly down-slipping shawl
seemed only just clinging to her hips, and making the same circuit upon
herself, she sat down, and after this violent and extravagant exertion
was marbly cold.
Then timid but not tremulous, the young Xenobi arose bare-footed, and
danced the same dance, not with the finished skill of Kushuk, but
gracefully and well, and with her eyes fixed constantly upon the elder.
With the same regular throb of the muscles she advanced and retreated,
and the Paradise-pavilioned prophet could not have felt his heavenly
harem complete, had he sat smoking and entranced with the Howadji.
Form so perfect was never yet carved in marble; not the Venus is so
mellowly moulded. Her outline has not the voluptuous excess which is not
too much--which is not perceptible to mere criticism, and is more a
feeling flushing along the form, than a greater fullness of the form
itself. The Greek Venus was sea-born, but our Egyptian is sun-born. The
brown blood of the sun burned along her veins--the soul of the sun
streamed shaded from her eyes. She was still, almost statuesquely still.
When she danced it was only stillness intensely stirred, and followed
that of Kushuk as moonlight succeeds sunshine. As she went on, Kushuk
gradually rose, and joining her, they danced together. The Epicureans of
Cairo indeed, the very young priests of Venus, assemble the Ghawazee in
the most secluded adyta of their dwellings, and there eschewing the
mystery of the shintyan, and the gauziness of the tób, they behold the
unencumbered beauty of these beautiful women. At festivals so fair,
arrack, raw brandy, and "depraved human nature," naturally improvise a
ballet whereupon the curtain here falls.
Public-domain text, read in full here on John Shaqi.
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