While conversing with Professor Vogel one morning we expressed an earnest wish to see Moritz Retzsch--who had so wonderfully embodied the conceptions of Goethe, of Shakspeare, and of Schiller; his extraordinary powers of invention and description, with a few strokes of his pencil, had rendered him an object of the deepest interest to us, many years ago when an artist friend, now dead and gone, first made him known to us; and although he resided we had been told, "a long way out of Dresden," we resolved, if we could, to visit him at his home. It was therefore very pleasant when Professor Vogel offered to accompany us himself, and present us to the great artist. In the evening, as we stood on the noble bridge that spans the rapid Elbe, a summer-house crowning one of the distant vine-clad hills, was pointed out to us as belonging to him whom we so much desired to know. "His dwelling," said our friend, "is directly below that hill, and he resides on his paternal acres; his father's vineyards are as green as ever; and the artist's love of nature, is fostered amid its beauties." Nothing could be more charming than the scene. We had left the Bruhl Terrace crowded with company, driven away from its music and society by the clouds of tobacco smoke which wrap the Germans in an elysium peculiarly "their own;" but the music was softened by distance, into sweeter harmony. The sun was setting, warming the pale green of the vineyards into autumnal richness, and casting delicious tints upon the undulating waters; the atmosphere was so pure, so free from what sad experience teaches us to consider the natural vapors of city life, that the spires and public buildings looked as if carved in ivory; the mighty river swept freely on, its strong current hopelessly contending with the massive masonry of the bridge; one or two steamers were puffing their way from some of the distant villages; and a party near the shore were moving their oars, rather than rowing, singing what sounded to us like a round and chorus, in that perfect tune and time, where the voices seem as one; twilight came down without any haze, so that the range of hills was still visible, and still we fancied we saw the Pavilion of Moritz Retzsch. Our friend told us he was born at Dresden in 1779, and had never visited the distant schools, nor wandered far from his native city; in early childhood he manifested a talent for Art; modeling in clay, carving in wood, and exercising his imitative, as well as his imaginative powers, by drawing with any thing, or upon any thing, whatever he saw or fancied. He never intended to become an artist; he had not received what is called "an artistic education." He looked at and loved whatever was beautiful in nature, and copied it without an effort. At that period, the profession of Art would have been all too tranquil a dream for his boyhood to enjoy; nay, his "hot youth," ardent and desiring excitement, full of visions of adventure and liberty, had,