Harper's New Monthly Magazine, Vol. II, No. X., March 1851Various
General
Harper's New Monthly Magazine, Vol. II, No. X., March 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
In one department of the place often lie many tons of the ashes from the
furnace, which are sold by auction, by the ton, to gardeners and
farmers, as manure, and for killing insects, to soap-boilers and
chemical manufacturers. In a corner are generally piled cart-loads of
nails, and other pieces of iron, which have been swept up from the
floors, or have remained in the broken pieces of casks and boxes which
go to the kiln. Those which have been sifted from the ashes are eagerly
bought up by gunsmiths, sorted, and used in the manufacture of
gun-barrels, for which they are highly esteemed, as possessing a
toughness beyond all other iron, and therefore calculated,
pre-eminently, to prevent bursting. Gold and silver, too, are not
unfrequently found among these ashes; for many manufactured articles, if
unsalable, are broken up, and thrown in. There have sometimes, indeed,
been vast numbers of foreign watches, professing themselves to be gold
watches, but being gross impostors, which have been ground up in a mill,
and then flung in here.
Such is the Queen's Tobacco-Pipe, unique of its kind, and in its
capacity of consumption. None of the other Docks have any thing like
it. It stands alone. It is _the_ Pipe--and as we have said, establishes
the Queen of England, besides being the greatest monarch on the globe,
as the greatest of all smokers--not excepting the Grand Turk, or the
Emperor of Austria, the greatest tobacconist of Europe.
THE METAL-FOUNDER OF MUNICH.
When we gaze in admiration at some great work of plastic art, our
thoughts naturally recur rather to the master mind whence the conception
we now see realized first started into life, than to any difficulties
which he or others might have had to overcome in making the quickened
thought a palpable and visible thing. All is so harmonious; there is
such unity throughout; material, form, and dimensions, are so adapted
and proportioned one to the other, that we think not of roughnesses or
of opposing force as connected with a work whence all disparities are
removed, and where every harshness is smoothed away. There stands the
achieved fact in its perfect completeness: there is nothing to remind us
of its progress toward that state, for the aids and appliances thereunto
have been removed; and the mind, not pausing to dwell on an intermediate
condition, at once takes in the realized creation as an accomplished
whole. And if even some were inclined to follow in thought such a work
in its growth, there are few among them who, as they look at a monument
of bronze, have any notion how the figure before them grew up into its
present proportions. They have no idea how the limbs were formed within
their earthen womb, and how many and harassing were the anxieties that
attended on the gigantic birth.
Public-domain text, read in full here on John Shaqi.
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