Harper's New Monthly Magazine, Vol. II, No. X., March 1851Various
General
Harper's New Monthly Magazine, Vol. II, No. X., March 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
When for a short time he was betrayed into the expression of any
cheerful sentiment, if he ever allowed that it was a fine day, he
quickly relapsed into congenial gloom, and discovered that there might
be a thunder-storm within the next half-hour. His only comfort was in
the reflection that his maternal uncle's family were consumptive. Here
he anticipated a fine field for the exercise of his poetic gifts, and,
accordingly, when his aunt was gathered to her fore-fathers, her dutiful
nephew laid a sheet of blank paper upon his desk, and settled himself
down to write "a Dirge." He began by attributing all the virtues to
her--devoting about six lines to each separate virtue. Her person next
engaged his attention, and he discovered, though none of her friends had
ever remarked her surpassing loveliness, that her step was as the breath
of the summer-wind on flowers (certainly no gardener would have trusted
her upon his box-borders); that she was fresh as Hebe (she always
breakfasted in bed); that she had pearly teeth (her dentist has
maliciously informed us that they were made of the very best ivory);
and, finally, that her general deportment was most charming--so charming
that Mr. Blackbrook never dared trust himself in her seductive presence.
Having proceeded thus far with his melancholy duty, the poet ate a
hearty supper of the heaviest cold pudding, and--we had almost
written--went to bed--but we remember that Mr. Blackbrook always
"retired to his solitary couch." He rose, betimes, on the following
morning, looking most poetically pale. His dreams had been of woe, and
darkness, and death; the pudding had had the desired effect. Again he
placed himself at his desk, and having read over the prefatory lines
which we have endeavored to describe, he threw his fragrant curl from
his marble forehead, and thought of the funeral-pall, the darkened
hall--of grief acute, and the unstrung lute. He put his aunt's sorrowing
circle in every possible position of despair. He represented his
surviving uncle as threatening to pass the serene portals of reason; he
discovered that a dark tide rolled at the unhappy man's feet; that the
sun itself would henceforth look dark to him; that he would never smile
again; and that, in all probability, the shroud would soon enwrap his
manly form. He next proceeded to describe minutely the pearly tears of
his cousins, and the terrible darkness that had come over their bright,
young dreams. An affecting allusion to his own unfathomable grief on the
occasion, was concluded by the hope that he might soon join his sainted
aunt, though he had never taken the least trouble to pay her a visit
while she lived in St. John's Wood. This touching dirge was printed upon
mourning paper, and distributed among Mr. Blackbrook's friends. The
death of an aunt was an affecting incident, but still it fell short of
the brink of despair. Mr. Blackbrook's natural abiding-place was the
edge of a precipice.
Public-domain text, read in full here on John Shaqi.
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