Harper's New Monthly Magazine, Vol III, No 13, 1851Various
General
Harper's New Monthly Magazine, Vol III, No 13, 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
An Italian family from Madrid came to reside during the spring months at
Aranjuez. In their retinue came Ursula, an Italian _femme-de-chambre_, a
woman whose name is never uttered in the _pueblo_ but with a curse.
She was older than Julio, who became acquainted with her while employed
in the house in his trade as carpenter; but as she saw his pliable
disposition, and perhaps his nascent passion, her experience and
acuteness taught her to turn them to account; and in a short time she
obtained such an ascendency over him, that he became a perfect plaything
in her hands. He ruined himself in purchasing presents for the artful
woman; he furnished her with all she required; he gave her money; in
fact, had she requested his life, it would not have been considered an
exorbitant demand. Ursula was handsome, tall, dark, and fierce-looking
flashing eyes she had, with heavy arched brows; and considering these
advantages, folks wondered that she would condescend to turn her ideas
so humbly; but after inquiries showed that in her own land, and in
Madrid, her conduct had been so very profligate, that all was now fish
that came to her net, and that, to obtain the consummation of the wishes
of every woman, a husband and independence, she must stoop far below
what must have been her original expectations.
Meanwhile poor Faustina wept and prayed, now scorned by Julio, but
pitied by the little world in which she had lived. She wept and prayed,
but tears seemed to afford no relief to the maiden in her anguish, and
prayers appeared to have lost their efficacy: they brought no success,
nay, worse, no comfort. Still Julio pursued his headlong career,
heedless of the past, the present, or the future. It was dreadful to see
the change in him: he seemed as one possessed. The reckless passion that
had been roused by the wily Italian, burst all bounds, knew no
restraint, no path; it was like a torrent that has been for some time
dammed up, which, when set free, acknowledges no demarkation, no rule of
banks or bed, but tears forward, involving in its impetuous rage the
verdure and bloom that are around it.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account