Harper's New Monthly Magazine, Vol III, No 13, 1851Various
General
Harper's New Monthly Magazine, Vol III, No 13, 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Julio was walking in the garden alone, during the time usually devoted
to the mid-day sleep; his underlings were reclining beneath the shade of
the trees; and, at last, overcome by the heat, he himself gave way to
slumber; his dreams were troubled, but were not of long duration; for he
had not long laid himself on the sward, when he felt himself rudely
shaken, and, awaking, discovered an officer of justice standing near
him, who desired his society. The alguazil led him to his own abode,
and, on reaching it, what did he behold? His wife, who was then with
child, pinioned, between two villagers acting for the nonce as
constables, one of whom held in his hand a bloody _navaja_; the
brother(!), also pinioned, standing near her; and on the ground,
surrounded by a knot of peasants, glad at the vengeance that was to
overtake the guilty pair, he saw the child of Faustina, decapitated,
dismembered, discovered thus on the floor of the cottage, ere the
murderous couple had been enabled to conceal the mangled remains. A
workman, a near relation of Julio's first wife, who had, by chance,
heard a suppressed scream in passing, hastily summoning assistance, had
arrived in time only to apprehend the assassins, the shedders of
innocent blood. There was no flaw in the evidence, and, ere long, Ursula
and her paramour, for such was the true relative position in which she
stood with the stranger, were sentenced to the doom they so richly
deserved. I have not, however, ended, my narrative, but I will endeavor
to curtail the rest of my history, to me the strangest part of it. Julio
was not disenchanted; by extraordinary exertions to save the mother of a
child, shrewdly suspected not to be his own, he prevailed on his patron,
Count ----, to procure the commutation of his wife's sentence to a term
of imprisonment; and though the murderer forfeited his life, the
murderess escaped after some years' incarceration, having given birth to
a child shortly after her trial, who, innocent, bore on her brow the
mark of the instrument of her mother's crime; and, can it be
credited!--Julio took the woman to his home, his love unabated, his
subserviency undiminished!
They now live in Aranjuez, and the child is left to wander about
unnoticed, except with punishment; my kind-hearted landlady alone feeds
the poor creature, whom all others shun: and even she feels
uncomfortable in the presence of one born under such auspices. Her
fellow-townsfolk, as they pass the scene of virtue and of crime, bless
the memory of Faustina, and curse the life of Ursula, praying for the
peace of the first one and of her child; and, while execrating the
latter, refuse shelter or relief to her innocent offspring, who, in the
universal spirit of poetry that reigns in Spain, is known far and near,
and pointed to the stranger as _La Hija de Sangre_, the Daughter of
Blood.
THE EXECUTION OF FIESCHI, MOREY, AND PEPIN.
Public-domain text, read in full here on John Shaqi.
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