In something more than half an hour, we jingled into the Place St. Jaques, and, pausing at the corner, had the satisfaction to hear the sounds of hammers busily plied upon a dark mass rising in the centre of the square--it was the platform upon which to erect the guillotine. On all sides of this, workmen were busily engaged, their labor quickened by the exhortations of one who walked about, lantern in hand, upon the top. This was the executioner, who, seen by the light he carried, bore a remarkable resemblance to the great English comedian, the late Mr. Liston. There was the same square form of the countenance, the small nose, the long upper lip, the mirth-provoking gravity, and the same rich, husky chuckle. This curious likeness was at once acknowledged by all present, and an Englishman took the liberty of interrupting the grave functionary with the information that he was the very image of _le plus grand farceur que nous avons en Angleterre_, a piece of information which the French scion of the House of Ketch received, after the manner of Frenchmen, as a high compliment, being moved to bow and chuckle much thereat. By this time, the hammering had roused the dwellers in the place, and lights were seen rapidly moving about the windows. A café-keeper had opened his saloon, arranged his little tables, and was bustling about with his waiters attending to the wants of the guests already assembled. An execution is a godsend to the Place St. Jaques at any time, but the execution of three great state criminals, such as these, would go far to pay the year's rent of the houses. As cabs and _fiacres_ began to arrive, we thought it necessary to make arrangement for securing a room from whence to see the execution, and chance conducted us to the corner house, one side of which looked upon the square, directly opposite the guillotine, from which it was scarcely fifty yards distance; and the other side fronted the road by which the prisoners were to be conveyed from their prison to the scaffold.