Harper's New Monthly Magazine, Vol III, No 13, 1851Various
General
Harper's New Monthly Magazine, Vol III, No 13, 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
But there is an era in the life of every one, even the most plodding and
homely; and so it was with Johan Schmit. It happened one day that he was
sent for to repair a broken wall in the château of the Count von
Rosenheim, situated not far from the town where Johan lived, on the
Rhine; and having completed his job, the housekeeper (the count being
absent) took the poor mason through the splendid rooms as a treat. Here
he beheld what he had never seen in his life before; velvet curtains,
silken sofas, crystal mirrors, gilded frames, paintings, and sculpture;
until his eyes were more dazzled than they had been since the first time
he entered the cathedral of Bonn. But after gazing his fill upon all
this gorgeous spectacle, his eyes happened to fall upon a small bronze
statuette of an angel, which the housekeeper informed him was a copy of
the Archangel Michael, from some church, she knew not where.
Here was Johan arrested, and here would he have stood forever; for,
after looking upon this angel, he saw nothing more: every thing vanished
from before him, and nothing remained but the small bronze statuette.
Johan had seen plenty of angels before in the churches, fresh-colored,
chubby children, and he often thought his own little Rosechen would look
just like them if she had wings; but this was something far different. A
youth under twenty, and yet it gave no more idea of either age or sex
than of any other earthly condition. Clad in what Johan supposed would
represent luminous scale-armor, something dazzling and transparent, like
what he had heard the priests call the "armor of God"--the hands crossed
upon the bosom, the head slightly bowed, the attitude so full of awe,
obedience, and humility; and yet what attitude of human pride or
defiance was half so lofty, so noble, so dignified? The sword hung
sheathed by the side, the long wings folded; but the face--oh, how could
he describe that face, so full of high earnestness and holy calm? so
bright, so serious, so serene! He felt awed, calmed, and elevated as he
looked at it.
"You must go now," exclaimed Madame Grossenberg; and Johan started from
his reverie, made his bow, replaced his paper cap, and went home, with
his head full of the angel instead of his work. He saw it there instead
of stout Frudchen and the children, who climbed about, and wondered at
his abstraction. He went to bed, and dreamed of the angel--glorified it
seemed to be--and, perhaps for the first time in his life, recalled his
dream, and saw the beautiful vision before his waking eyes all the next
day at his work--even in the "Gold Apfel," the most unlikely place for
an angel; and again when he closed his eyes to sleep. In short, the
angel became to him what his gold is to the miser, his power is to the
ambitious man, and his mistress to the lover: he saw nothing else in the
whole world but the angel; and this now filled the heart and brain of
poor Johan Schmit, of the little town of ----, on the Rhine.
Public-domain text, read in full here on John Shaqi.
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