There are some things we desire to possess, and other things we desire to produce; the former is the feeling of the connoisseur and collector: the latter, of the artist. The first requires taste and money; the latter--we won't say what it requires, or what it evinces, for enough has been said on the subject already. Johan Schmit had no money; taste he must have had, or he could not have admired the angel; he was no artist, certainly; he had never drawn a line, or cut any thing but a stone in his life; and yet he felt he must do something about that angel. He saw it so plainly and so constantly before him, that he felt he could copy it, if he only knew how. Now, as he could not draw, he could not copy it in that manner; but as he could cut stone, no matter how hard, he did not see why he might not attempt to cut the angel upon a large stone, which he procured, and brought quietly up to a small garret at the top of his house for that purpose. It was at this time that the general, the statesman, the diplomatist, and the admiral, all severally planned their great undertakings; and it was at this time that a strange thought passed through the brain of Johan Schmit, as he sate looking at the great rough stone before him. Johan was, as we have seen, quite an uneducated man; he hardly knew enough of writing to spell his own name; and as to reading, he had never looked into a book since he left school, at the age of twelve; he therefore hardly knew the nature of his own ideas. His thoughts, never arranged, were but like vague sensations passing through his mind, which he could not define; but if he could have defined them they would have taken something like the following expression: