Paganini was in all respects a very singular being, and an interesting subject to study. His talents were by no means confined to his wonderful powers as a musician. On other subjects he was well-informed, acute, and conversible, of bland and gentle manners, and in society, perfectly well-bred. All this contrasted strangely with the dark, mysterious stories which were bruited abroad, touching some passages in his early life. But outward semblance and external deportment are treacherous as quicksands, when taken as guides by which to sound the real depths of human character. Lord Byron remarks, that his pocket was once picked by the civilest gentleman he ever conversed with, and that by far the mildest individual of his acquaintance was the remorseless Ali Pacha of Yanina. The expressive lineaments of Paganini told a powerful tale of passions which had been fearfully excited, which might be roused again from temporary slumber, or were exhausted by indulgence and premature decay, leaving deep furrows to mark their intensity. Like the generality of his countrymen, he looked much older than he was. With them, the elastic vigor of youth and manhood rapidly subsides into an interminable and joyless old age, numbering as many years, but with far less both of physical and mental faculty to render them endurable, than the more equally poised gradations of our northern clime. It is by no means unusual to encounter a well developed Italian, whiskered to the eye-brows, and "bearded like the pard," who tells you, to your utter astonishment, that he is scarcely seventeen, when you have set him down from his appearance as, at least, five-and-thirty.