Harper's New Monthly Magazine, Vol. III, No. XVII, October 1851Various
History
Harper's New Monthly Magazine, Vol. III, No. XVII, October 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
portrait is most characteristic, and is now to be seen in the collection
of paintings of the British Museum. But we must notice the small-coal
man under his bibliopolic phase. A bibliomania raged among Queen Anne's
nobility. The Earls of Oxford, Pembroke, Sunderland, and Winchelsea, and
the Duke of Devonshire, were among the smitten. These personages, on
Saturdays, during the winter season, used to resort to the city, and,
there separating, take several routes to the booksellers' shops in
different parts of the town, to search out old volumes and MSS. Some
time before noon, they would assemble at the shop of Christopher
Bateman, a bookseller, at the corner of Ave Maria-lane, in
Paternoster-row (query, Little Britain?), where they were frequently met
by other persons engaged in the same pursuits, and a conversation
commenced on the subject of their inquiries. As nearly as possible to
the hour of twelve by St. Paul's clock, Britton (uniquely, the "Literary
Dustman" of his age), who by that time had finished his round, clad in
his blue frock, and pitching his sack of small coal on the bulk of Mr.
Bateman's shop window, used to go in and join them. After about an
hour's chat, the noblemen adjourned to the Mourning Bush Tavern at
Aldersgate (probably the site of the present Albion Tavern), where they
dined, and spent the remainder of the day. Poor Britton was indeed a
singular character, and died a death as singular as his life. He was, we
are told, of an excessively nervous temperament, which rendered him the
object occasionally of villainous practical jokes. Unfortunately he
incurred the enmity of Honeyman, the ventriloquist. On a certain day,
when Britton gave one of his nobility concerts in Aylesbury-street,
Honeyman attended. An opportunity occurring, a voice was heard at a
distance, which announced that Thomas Britton's hour was near and that
he had but a short time to remain in this world. Poor Britton was not
proof against the art of the malicious mimic. He felt the
ventriloquist's words as though they were a sacred augur; so deep an
impression did the incident make upon him, that he died, almost as
predicted, in a brief period, aged fifty-eight, 1714.
Public-domain text, read in full here on John Shaqi.
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