Harper's New Monthly Magazine, Vol. III, No. XVII, October 1851Various
History
Harper's New Monthly Magazine, Vol. III, No. XVII, October 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
My firm conviction being that it was lost time to seek for her in
obscure and out-of-the-way quarters of the city, I thought it best to
pursue the search in the thronged and fashionable resorts of the gay
world, the assemblies and theatres. Strong in this conviction, I changed
one of my three gold pieces, to purchase a ticket for the opera. The
reader may smile at the sacrifice; but when he who thinks four sous
enough for a dinner, pays twelve francs for the liberty to be crushed in
the crowded parterre of a play-house, he is indeed buying pleasure at a
costly price. It was something more than a fifth of all I possessed in
the world, but, after all, my chief regret arose from thinking that it
left me so few remaining "throws of the dice" for "Fortune."
I have often reflected since that day by what a mere accident I was
present, and yet the spectacle was one that I have never forgotten. It
was the last time the First Consul appeared in public, before his
assumption of the imperial title; and at no period through all his great
career was the enthusiasm more impassioned regarding him. He sat in the
box adjoining the stage--Cambaceres and Lebrun, with a crowd of others,
standing, and not sitting, around and behind his chair. When he
appeared, the whole theatre rose to greet him, and three several times
was he obliged to rise and acknowledge the salutations. And with what a
stately condescension did he make these slight acknowledgments!--what
haughtiness was there in the glance he threw around him. I have often
heard it said, and I have seen it also written, that previous to his
assumption of the crown, Bonaparte's manner exhibited the mean arts and
subtle devices of a candidate on the hustings, dispensing all the
flatteries and scattering all the promises that such occasions are so
prolific of. I can not, of course, pretend to contradict this statement
positively; but I can record the impression which that scene made upon
me as decidedly the opposite of this assumption. I have repeatedly seen
him since that event, but never do I remember his calm, cold features
more impassively stern, more proudly collected, than on that night.
Public-domain text, read in full here on John Shaqi.
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