Harper's New Monthly Magazine, Vol. III, No. XVII, October 1851Various
History
Harper's New Monthly Magazine, Vol. III, No. XVII, October 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
The first thing which attracts one's regard in Lima, is the singular and
picturesque costume of the females. This costume, which resembles that
of the Moors, to whom it owes its origin, takes the name of the two
principal parts of which it is composed--it is called the _saya y
manto_. It is worn only in Lima, and there only in the day time, as a
walking-costume. The _saya_, as formerly worn, was a skirt or petticoat
made of an elastic black silk, plaited at the top and bottom in small
folds, and fitting so closely as to display the outlines of the figure,
and every motion of the limbs. It was made so narrow at the bottom that
the wearers were forced to take steps extremely short, which gave to
their gait a mincing character more striking than modest. This, which is
called the _saya ajustada_ is now rarely seen. As now worn it forms a
very graceful and elegant costume; the bottom plaits are taken out, so
as to cause the skirt to stand out from the figure, which is not
displayed. This is called the _saya desplegada_. It is always made of a
dark-colored material. The _manto_ is a thick vail of black silk,
joining the saya at the back of the waist. It is brought up over the
shoulders and head, and drawn over the face in such a manner as to
conceal the features entirely, with the exception of one eye, which is
visible through a small triangular space left open for the purpose. One
hand retains the folds of the manto in their places while the other
displays a richly embroidered handkerchief. Over the shoulders is thrown
a shawl, usually of embroidered China crape. The Limeñas, effectually
disguised in this national dress, to which they are enthusiastically
attached, go out every where unattended. Any one can address them, and
they violate no usage in accosting any one. The uniformity of the
costume, in materials, shape, and color, and the perfect concealment of
the features, makes identification impossible, so that the street
becomes a perpetual masquerade. The costume which owes its origin to
marital jealousy has in Lima become a most efficient aid to intrigue.
[Illustration: LIMEÑA AT HOME.]
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