Harper's New Monthly Magazine, Vol. III, No. XVII, October 1851Various
History
Harper's New Monthly Magazine, Vol. III, No. XVII, October 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
The Limeña in the street, shrouded in the saya y manto, differs as
widely from the same Limeña at home, as the butterfly wrapped up in its
chrysalis does from the same insect with wings fully expanded. At home,
at the theatre, in the carriage, every where except when walking in the
streets, or in church, the Limeña appears dressed in the newest French
fashions. There is, however, one article of European costume which they
uniformly refuse to adopt, and that is the bonnet. With here and there
an exception, they obstinately reject any other head-dress than a light
vail and their own abundant tresses. An inordinate fondness for flowers
and perfumes is also a striking characteristic of a Limeña, whose
presence is almost invariably announced by a vase of flowers and a
flaçon of perfume, placed upon a table near which she reclines swinging
in a hammock during the sultry hours of the day, amusing herself, now
with examining a book of engravings, now with music, of which she is
passionately fond, perhaps with embroidery--and not unfrequently with a
cigar.
[Illustration: CHOLITAS OR INDIAN WOMEN OF PERU.]
If man or woman were only an animal being--and if she could always be
young and physically charming--this life of the Limeña might not seem so
undesirable. But with her a thing of beauty is not a joy forever. If her
reign is brilliant, it is brief. When her beauty fades she ceases to be
a coquette, and becomes a _beata_ or devotee. She renounces the vanities
of the world, attends mass several times a day, makes frequent
confessions, and takes up her abode during Lent in a house of penitence.
She selects a confessor to whom she unburdens her conscience, and sends
presents of sweetmeats and delicacies. At home she sinks into a cipher,
scarcely more regarded than a piece of worn-out furniture. If a
stranger, paying a visit to a young Limeña, respectfully rises to make a
place for an aged woman who enters the _cuadro_, nothing is more common
than for the daughter to say, with the utmost coolness, _No se incommoda
usted, es ma mamita_ "Don't incommode yourself, it's my mamma." Habit
becomes a second nature, and the Limeña accommodates herself to her lot
without a murmur. Such, with exceptions few and rare, is the lot of the
_hechiceras Limeñas_, so highly endowed by nature, and worthy of a
better fate.
Public-domain text, read in full here on John Shaqi.
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