Harper's New Monthly Magazine Vol. IV, No. 19, Dec 1851Various
History
Harper's New Monthly Magazine Vol. IV, No. 19, Dec 1851
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Following the example of some other distracted _décorés_, who I found
were sharing my honors, I placed a piece of money--I believe, in my
case, it was silver--in the hand of the girl; and, receiving about five
hundred times its value, in the shape of a smile and a "_Merci bien,
monsieur!_" was again left alone--("desolate," a Frenchman would have
said)--in the crowded and carousing Boulevard.
To meet a perambulating and persuasive _Bouquetière_, who places a
flower in your coat and waits for a pecuniary acknowledgment, is
scarcely a rare adventure in Paris; but I was interested--unaccountably
so--in this young girl: her whole manner and bearing was so different
and distinct from all others of her calling. Without any of that
appearance which, in England, we are accustomed to call "theatrical,"
she was such a being as we can scarcely believe in out of a ballet. Not,
however, that her attire departed--except, perhaps, in a certain
coquetish simplicity--from the conventional mode: its only decorations
seemed to be ribbons, which also gave a character to the little cap that
perched itself with such apparent insecurity upon her head. Living a
life that seemed one long summer's day--one floral _fête_--with a means
of existence that seemed so frail and immaterial--she conveyed an
impression of _unreality_. She might be likened to a Nymph, or a Naiad,
but for the certain something that brought you back to the theatre,
intoxicating the senses, at once, with the strange, indescribable
fascinations of hot chandeliers--close and perfumed air--foot-lights,
and fiddlers.
Evening after evening I saw the same girl--generally at the same
place--and, it may be readily imagined, became one of the most constant
of her _clientelle_. I learned, too, as many facts relating to her as
could be learned where most was mystery. Her peculiar and persuasive
mode of disposing of her flowers (a mode which has since become worse
than vulgarized by bad imitators) was originally her own graceful
instinct--or whim, if you will. It was something new and natural, and
amused many, while it displeased none. The sternest of stockbrokers,
even, could not choose but be decorated. Accordingly, this new Nydia of
Thessaly went out with her basket one day, awoke next morning, and found
herself famous.
Meantime there was much discussion, and more mystification, as to who
this Queen of Flowers could be--where she lived--and so forth. Nothing
was known of her except her name--Hermance. More than one adventurous
student--you may guess I am stating the number within bounds--traced her
steps for hour after hour, till night set in--in vain. Her flowers
disposed of, she was generally joined by an old man, respectably clad,
whose arm she took with a certain confidence, that sufficiently marked
him as a parent or protector; and the two always contrived sooner or
later, in some mysterious manner, to disappear.
Public-domain text, read in full here on John Shaqi.
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