He attempted to excuse himself, but he was evidently judged; and, what was more--not as an obscure drawing-master, but as M. Ernest Leroy. His identity was evidently no secret; and she even called him by his name. He endeavored in vain to make a fine speech to apologize for his ill-behavior; but she interrupted him keenly, though good-humoredly, and the entrance of Alfonso was fatal to a fine scene of despair he was about to enact. Clara upon this retired with a profound salute; and Alfonso spoke with more of dignity than usual in his manner, and said: "My young friend, you must excuse a little deception which has been practiced on you, or rather which you have practiced upon yourself. I am going to be very free and frank with you to-day. I am not what you take me for. I am the Count Corsini, a Roman; and because I have not the means of keeping a man-servant, when the women of my family go to church I follow them, as you saw. This is not unusual among my countrymen. It is a foolish pride I know; but so it is. However, the matter interests you not. You saw my daughter Clara, and thought you loved her. I was willing, as on inquiry I found you to be a respectable person, to see how you could agree together; but your pride--I managed and overheard all--has destroyed your chance. My daughter will seek another husband." There was a cold friendliness in Alfonso's tone which roused the pride of Ernest. He affected to laugh, called himself a foolish madcap, but hinted that a splendid marriage awaited him, if he chose, on his return to Paris; and went away endeavoring to look unconcerned. The following morning he was on board a vessel bound for Palermo, very sea-sick it is true, but thinking at the same time a great deal more of Clara than he could have thought possible had it been predicted. Some few years afterward Ernest Leroy was in one of the _salons_ of the Fauxbourg St. Germain. Still a bachelor, he no longer felt those sudden emotions to which he had been subject in his earlier youth. He was beginning to talk less of sentiments present and more of sentiments passed. In confidential moods he would lay his hand upon his waistcoat--curved out at its lower extremity, by the by, by a notable increase of substance--and allude to a certain divine Clara who had illuminated a moment of his existence. But he was too discreet to enter into details.