There was, besides, a serving man, whose name was Phil. Our retrospective glance presents Phil as a shipwrecked carpenter, cast away upon the desert island of a school, and carrying into practice an ingenious inkling of many trades. He mended whatever was broken, and made whatever was wanted. He was general glazier, among other things, and mended all the broken windows--at the prime cost (as was darkly rumored among us) of ninepence for every square charged three-and-six to parents. We had a high opinion of his mechanical genius, and generally held that the Chief "knew something bad of him," and on pain of divulgence enforced Phil to be his bondsman. We particularly remember that Phil had a sovereign contempt for learning; which engenders in us a respect for his sagacity, as it implies his accurate observation of the relative positions of the Chief and the ushers. He was an impenetrable man, who waited at table between whiles, and, throughout "the half" kept the boxes in severe custody. He was morose, even to the Chief, and never smiled, except at breaking-up, when, in acknowledgment of the toast, "Success to Phil! Hooray!" he would slowly carve a grin out of his wooden face, where it would remain until we were all gone. Nevertheless, one time when we had the scarlet fever in the school, Phil nursed all the sick boys of his own accord, and was like a mother to them. There was another school not far off, and of course our school could have nothing to say to that school. It is mostly the way with schools, whether of boys or men. Well! the railway has swallowed up ours, and the locomotives now run smoothly over its ashes. So fades and languishes, grows dim and dies, All that this world is proud of, and is not proud of, too. It had little reason to be proud of Our School, and has done much better since in that way, and will do far better yet. A STORY OF ORIENTAL LOVE. Poets have complained in all countries and in all ages, that true love ever meets with obstacles and hindrances, and the highest efforts of their art have been exhausted in commemorating the sufferings or the triumphs of affection. Will the theme ever cease to interest? Will the hopes, the fears, the joys, the vows of lovers, ever be deemed matters of light moment, unworthy to be embalmed and preserved in those immortal caskets which genius knows how to frame out of words? If that dreary time be destined to come--if victory decide in favor of those mechanical philosophers who would drive sentiment out of the world--sad will be the lot of mortals; for it is better to die with a heart full of love, than live for an age without feeling one vibration of that divine passion.