Harper's New Monthly Magazine, Vol IV. No. XX. January, 1852.Various
History
Harper's New Monthly Magazine, Vol IV. No. XX. January, 1852.
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
"With the help of the chess, gentlemen, and your company," said the
king, smiling, "I shall pass the time most pleasantly. Let none of you
leave till the return of Calavarez; our good cheer would be diminished
were we to lose one of you."
With these ironical words, Philip began to play with Don Ramirez, and
the tired nobles remained grouped around the august personages as at the
beginning of our recital.
Every thing was restored to its usual order and quiet, while Calavarez
conducted the impromptu bishop to the cell of the condemned nobleman.
Ruy Lopez walked along without raising his eyes. He resembled far more a
criminal dragging to execution than a newly-made bishop. Was it a dream?
but no--the dark, scowling Calavarez that preceded him was indeed a
stern reality, and reminded him at once of his new dignity and of the
fearful condition attached to it. And as the vaulted passage echoed to
their steps, he devoutly prayed the ground might open, and swallow him
up alive, rather than that he should take any part in the impending fate
of Don Guzman. What was it bound him thus closely to Don Guzman? Was it
that they had been old and intimate friends? Was it that in the veins of
both flowed noble blood? No; it was simply that both were the best
chessplayers in Spain. Fervent and sincere was his prayer; but it was
not granted.
THE PRISON.
The Prince of Calatrava was pacing his narrow cell with a step whose
inequality betokened intense agitation. The whole furniture consisted of
a massive table and two heavy wooden stools. The floor was covered with
coarse, thick matting, which suffered not the sound of their footfalls
to break the gloomy silence. In the embrasure of the one narrow and
grated window was fixed a rudely-carved crucifix. With the exception of
this emblem of mercy and self-sacrifice, the walls were bare, and as
the damp chill of the cell struck to the heart of Ruy Lopez, he felt
that it was indeed the ante-chamber of death.
The duke turned as they entered, and courteously saluted the new
dignitary of the church. Glances of intelligence passed between them,
and conveyed to each feelings, the audible expression of which the
presence of Calavarez forbade. The duke understood how painful to Ruy
Lopez was the office which the executioner on the instant announced that
he had come to perform; and Ruy Lopez felt as fully convinced of the
innocence of Don Guzman as was the duke himself, notwithstanding the
apparently strong proofs of his guilt. One of these proofs was nothing
less than a letter in his own handwriting, addressed to the court of
France, entering into full detail of a plot to assassinate King Philip.
Public-domain text, read in full here on John Shaqi.
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