Harper's New Monthly Magazine, Vol IV. No. XX. January, 1852.Various
History
Harper's New Monthly Magazine, Vol IV. No. XX. January, 1852.
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
This is the state of Austria in 1851. Men of all grades look anxiously
to France; well knowing that the events in Paris next year, if they lead
to outbreak, will be felt in Vienna instantly. Yet Strauss delights the
dancers, and the military bands play their "Hoch Lebe" round the throne.
The nobles scorn the merchants and the men of letters; who return the
noble scorn with a contemptuous pity. The murmur of the populace is
heard below; but still we have the gayest capital in all the world. We
throng the places of amusement. Dissipation occupies our minds and shuts
out graver thought. Verily, Charles Stuart might be reigning in this
capital.
THE POTTER OF TOURS.
Among the choicest works of art contributed to the Great Industrial
Exhibition by our French neighbors, were some enameled earthernware
vases of remarkably fine workmanship, and particularly worthy of
attention for their grotesque yet graceful decorations. These vases had,
however, a still higher claim to distinction than that arising from
their own intrinsic value, for they were the workmanship of one who may
truly be ranked among "nature's nobles," although by birth and station
owning no greater title than that of "Charles Avisseau, the potter of
Tours."
A worthy successor of Bernard Palissy, he has, like him, achieved the
highest success in his art, in spite of difficulties which would have
caused most other men to yield despairingly before what they would have
deemed their untoward fate. Charles Avisseau was born at Tours on
Christmas-day, in the year 1796. His father was a stone-cutter, but
whenever labor was slack in that department, he sought additional
occupation in a neighboring pottery. While still a child, he used
frequently to accompany his father to the factory. His eager attention
was quickly attracted by the delicate workmanship of the painters in
enamel, and before long he attempted to imitate their designs. The
master of the factory observed some flowers and butterflies which he had
sketched on a coarse earthernware vase, and at once perceiving that he
gave promise of being a good workman, he engaged him in the service of
the factory.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account