When he was preparing his magnificent vase for the Exhibition, he was advised to emboss it with the royal arms of England. "No," he replied, "I will not do that. If her Majesty were then to purchase my work, people might imagine I had ornamented it with these insignia in order to obtain her favor, and I have never yet solicited the favor of any human being!" Avisseau has no ambition to become a rich man. He shrinks from the busy turmoil of life--loving his art for its own sake, and delighting in a life of meditative retirement, which enables him to mature his ideas, and to execute them with due deliberation. In the swamps and in the meadows he studies the varied forms and habits of reptiles, insects, and fish, until he succeeds in reproducing them so truly to the life, that one can almost fancy he sees them winding themselves around the rushes, or gliding beneath the shelter of the spreading water-leaves. His humble dwelling, situated in one of the faubourgs of Tours, is well worthy of a visit. Here he and his son--now twenty years of age, who promises to prove in every respect a worthy successor to his father--may be found at all hours of the day laboring with unremitting diligence. A room on the ground-floor forms the artist's studio and museum: its walls are hung with cages, in which are contained a numerous family of frogs, snakes, lizards, caterpillars, &c., which are intended to serve as models; rough sketches, broken busts, half-finished vases, lie scattered around. The furnaces are constructed in a little shed in the garden, and one of them has been half-demolished, in order to render it capable of admitting the gigantic vase which Avisseau has sent to the Great Exhibition. There we trust the successor of Bernard Palissy will meet with the success so justly due to his unassuming merit, and to the persevering genius which carried him onward to his goal in the midst of so much to discourage, and with so little help to speed him on his way. KNIGHTS OF THE CROSS. ST. GEORGE'S CROSS. BY CAROLINE CHESEBRO'. A dull November evening: ghosts of a fog aspiring to the summit of a mountain, which formed the startling feature in the background of a landscape: a melancholy dissonance of swelling, rolling, breaking waves--strong, though not violent, moaning of autumnal winds through the valley, and up the mountain side: dark, heavy masses of cloud--red, and silvery, and leaden lines alternating on the horizon, at the point where the sun had disappeared: a girl standing on an enormous stone that was nearly surrounded by the water, a boy seated on the same rock near her feet; they were Ella, the clergyman's daughter, and George, a shoemaker's son.