Harper's New Monthly Magazine, Vol IV. No. XX. January, 1852.Various
History
Harper's New Monthly Magazine, Vol IV. No. XX. January, 1852.
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Music is well said to be the speech of angels; in fact, nothing among
the utterances allowed to man is felt to be so divine. It brings us near
to the Infinite; we look, for moments, across the cloudy elements, into
the eternal Sea of Light, when song leads and inspires us. Serious
nations, all nations that can still listen to the mandate of nature,
have prized song and music as the highest; as a vehicle for worship, for
prophecy, and for whatsoever in them was divine. Their singer was a
_vates_, admitted to the council of the universe, friend of the gods and
choicest benefactor to man.
Reader, it was actually so in Greek, in Roman, in Moslem, Christian,
most of all in Old-Hebrew times: and if you look how it now is, you will
find a change that should astonish you. Good Heavens, from a Psalm of
Asaph to a seat at the London Opera in the Haymarket, what a road have
men traveled! The waste that is made in music is probably among the
saddest of all our squanderings of God's gifts. Music has, for a long
time past, been avowedly mad, divorced from sense and fact; and runs
about now as an open Bedlamite, for a good many generations back,
bragging that she has nothing to do with sense and fact, but with
fiction and delirium only; and stares with unaffected amazement, not
able to suppress an elegant burst of witty laughter, at my suggesting
the old fact to her.
Fact nevertheless it is, forgotten, and fallen ridiculous as it may be.
Tyrtaeus, who had a little music, did not sing Barbers of Seville, but
the need of beating back one's country's enemies; a most _true_ song, to
which the hearts of men did burst responsive into fiery melody, followed
by fiery strokes before long. Sophocles also sang, and showed in grand
dramatic rhythm and melody, not a fable but a fact, the best he could
interpret it: the judgments of Eternal Deity upon the erring sons of
men. AEschylus, Sophocles, all noble poets were priests as well; and sang
the _truest_ (which was also the divinest) they had been privileged to
discover here below. To "sing the praise of God," that, you will find,
if you can interpret old words, and see what new things they mean, was
always, and will always be, the business of the singer. He who forsakes
that business, and, wasting our divinest gifts, sings the praise of
Chaos, what shall we say of him?
Public-domain text, read in full here on John Shaqi.
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