Harper's New Monthly Magazine, Vol IV. No. XX. January, 1852.Various
History
Harper's New Monthly Magazine, Vol IV. No. XX. January, 1852.
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Nay, all of them had aptitudes, perhaps of a distinguished kind; and
must, by their own and other people's labor, have got a training equal
or superior in toilsomeness, earnest assiduity, and patient travail, to
what breeds men to the most arduous trades. I speak not of kings,
grandees, or the like show-figures; but few soldiers, judges, men of
letters, can have had such pains taken with them. The very ballet-girls,
with their muslin saucers round them, were perhaps little short of
miraculous; whirling and spinning there in strange mad vortexes, and
then suddenly fixing themselves motionless, each upon her left or right
great-toe, with the other leg stretched out at an angle of ninety
degrees; as if you had suddenly pricked into the floor, by one of their
points, a pair, or rather a multitudinous cohort, of mad restlessly
jumping and clipping scissors, and so bidden them rest, with opened
blades, and stand still, in the Devil's name! A truly notable motion;
marvelous, almost miraculous, were not the people there so used to it.
Motion peculiar to the Opera; perhaps the ugliest, and surely one of the
most difficult, ever taught a female creature in this world. Nature
abhors it; but Art does at least admit it to border on the impossible.
One little Cerito, or Taglioni the Second, that night when I was there,
went bounding from the floor as if she had been made of indian-rubber,
or filled with hydrogen gas, and inclined by positive levity to bolt
through the ceiling: perhaps neither Semiramis nor Catharine the Second
had bred herself so carefully.
Such talent, and such martyrdom of training, gathered from the four
winds, was now here, to do its feat and be paid for it. Regardless of
expense, indeed! The purse of Fortunatus seemed to have opened itself,
and the divine art of Musical Sound and Rhythmic Motion was welcomed
with an explosion of all the magnificences which the other arts, fine
and coarse, could achieve. For you are to think of some Rossini or
Bellini in the rear of it, too; to say nothing of the Stanfields, and
hosts of scene-painters, machinists, engineers, enterprisers--fit to
have taken Gibraltar, written the History of England, or reduced Ireland
into Industrial Regiments, had they so set their minds to it!...
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