Harper's New Monthly Magazine, Vol. V, No. XXIX., October, 1852Various
Religion
Harper's New Monthly Magazine, Vol. V, No. XXIX., October, 1852
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
At the present time, in the dark little parlor certain feet below the
level of the street--a grim, hard, uncouth parlor, only ornamented
with the coarsest of baize table-covers, and the hardest of sheet iron
tea-trays, and offering in its decorative character no bad allegorical
representation of Grandfather Smallweed's mind--seated in two black
horsehair porter's chairs, one on each side of the fire-place, the
superannuated Mr. and Mrs. Smallweed wile away the rosy hours. On the
stove are a couple of trivets for the pots and kettles which it is
Grandfather Smallweed's usual occupation to watch, and projecting from
the chimney-piece between them is a sort of brass gallows for roasting,
which he also superintends when it is in action. Under the venerable
Mr. Smallweed's seat, and guarded by his spindle legs, is a drawer in
his chair, reported to contain property to a fabulous amount. Beside
him is a spare cushion, with which he is always provided, in order
that he may have something to throw at the venerable partner of his
respected age when ever she makes an allusion to money--a subject on
which he is particularly sensitive.
"And where's Bart?" Grandfather Smallweed inquires of Judy, Bart's
twin-sister.
"He an't come in yet," says Judy.
"It's his tea-time, isn't it?"
"No."
"How much do you mean to say it wants then?"
"Ten minutes."
"Hey?"
"Ten minutes."--(Loud on the part of Judy.)
[Illustration: THE SMALLWEED FAMILY.]
"Ho!" says Grandfather Smallweed. "Ten minutes."
Grandmother Smallweed, who has been mumbling and shaking her head at
the trevets, hearing figures mentioned, connects them with money,
and screeches, like a horrible old parrot without any plumage, "Ten
ten-pound notes!"
Grandfather Smallweed immediately throws the cushion at her.
"Drat you, be quiet!" says the old man.
The effect of this act of jaculation is twofold. It not only doubles
up Mrs. Smallweed's head against the side of her porter's chair, and
causes her to present, when extricated by her grand-daughter, a highly
unbecoming state of cap, but the necessary exertion recoils on Mr.
Smallweed himself, whom it throws back into _his_ porter's chair, like
a broken puppet. The excellent old gentleman being, at these times,
a mere clothes-bag with a black skull-cap on the top of it, does not
present a very animated appearance until he has undergone the two
operations at the hands of his grand-daughter, of being shaken up
like a great bottle, and poked and punched like a great bolster. Some
indication of a neck being developed in him by these means, he and the
sharer of his life's evening again sit fronting one another in their
two porter's chairs, like a couple of sentinels long forgotten on their
post by the Black Sergeant Death.
Public-domain text, read in full here on John Shaqi.
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