Toward the middle of May he left this city and proceeded to London--where he was expected with the utmost impatience, but not with that artistic and perceptive interest with which he had been received at Paris. After an absence of six years, Paganini again set foot on his native soil. The wealth he had amassed in his European tour, placed him in a position of great independence; and among the various properties he purchased, was a charming country-house in the environs of Parma, called _la Villa Gajona_--here he decided on residing. In 1836, speculators induced him to lend the aid of his name and talent for establishing a casino, of which music was the pretext, but gambling the real object. This establishment, which was situate in the most fashionable locality of Paris, was opened with considerable splendor at the end of November, 1837, under the name of _Casino Paganini_; but the government refused to authorize its opening as a gambling-house, and the speculators were reduced to give concerts, which far exceeded the expenses of the undertaking. The declension of his health was manifest, and his wasted strength precluded the possibility of his playing at the casino. A lawsuit was commenced against him, which he lost; and the judges, without having heard his defense, condemned him to pay 50,000f. to the creditors of the speculation, and he was deprived of his liberty until that amount was paid. When this decision was pronounced, Paganini was dying--his malady, which was phthisis of the larynx, had increased since the commencement of 1839. The medical men advised him to proceed to Marseilles, the climate of which they considered favorable to his health. He followed this advice, and traveled by slow stages to the southern extremity. Despite his extreme weakness, he went to hear a requiem, by Cherubini, for male voices; finally, on the 21st of June, he attended in one of the churches at Marseilles, to take part in a solemn mass, by Beethoven. However, the love of change, inherent in all valetudinarians, induced him to return to Genoa by sea, fully impressed the voyage would recruit his health. Vain hope! In the commencement of October of the same year, he wrote from his native city to M. Galafre, a painter, an esteemed friend: "_Being in much worse health than I was at Marseilles, I have resolved on passing the winter at Nice._" Nice was destined to be his last abode. The progress of his malady was rapid--his voice became almost extinct, and dreadful fits of coughing, which daily became more frequent, and, finally, reduced him to a shadow. The sinking of his features, a certain token of approaching death, was visible in his face. An Italian writer has furnished us with a most touching description of his last moments, in the following terms: