Number Nineteen in our street is a gloomy house, with a blistered door and a cavernous step; with a hungry area and a desolate frontage. The windows are like prison-slips, only a trifle darker, and a good deal dirtier, and the kitchen-offices might stand proxies for the Black Hole of Calcutta, barring the company and the warmth. For as to company, black beetles, mice, and red ants, are all that are ever seen of animated nature there, and the thermometer rarely stands above freezing-point. Number Nineteen is a lodging-house, kept by a poor old maid, whose only friend is her cat, and whose only heirs will be the parish. With the outward world, excepting such as slowly filter through the rusty opening of the blistered door, Miss Rebecca Spong has long ceased to have dealings. She hangs a certain piece of card-board, with "Lodgings to Let," printed in school-girl print, unconscious of straight lines, across it; and this act of public notification, coupled with anxious peepings over the blinds of the parlor front, is all the intercourse which she and the world of men hold together. Every now and then, indeed, a mangy cab may be seen driving up to her worn-out step; and dingy individuals, of the kind who travel about with small square boxes, covered with marbled paper, and secured with knotted cords of different sizes, may be witnessed taking possession of Nineteen, in a melancholy and mysterious way. But even these visitations, unsatisfactory as most lodging-house keepers would consider them, are few and far between; for somehow the people who come and go never seem to have any friends or relations whereby Miss Spong may improve her "connection." You never see the postman stop at that desolate door; you never hear a visitor's knock on that rusty lion's head; no unnecessary traffic of social life ever takes place behind those dusty blinds; it might be the home of a select party of Trappists, or the favorite hiding-place of coiners, for all the sunshine of external humanity that is suffered to enter those interior recesses. If a murder had been committed in every room, from the attics to the cellar, a heavier spell of solitude and desolation could not rest on its floors.