Harper's New Monthly Magazine, Volume 1, No. 2, July, 1850.Various
General
Harper's New Monthly Magazine, Volume 1, No. 2, July, 1850.
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
By what chance I know not, but at last my rambling steps brought me
opposite to the great, solemn-looking towers of the "Temple." The gloomy
prison, within whose walls hundreds were then awaiting the fate which
already their friends had suffered; little groups, gathered here and
there in the open Place, were communicating to the prisoners by signs
and gestures, and from many a small-grated window, at an immense height,
handkerchiefs were seen to wave in recognition of those below. These
signals seemed to excite neither watchfulness nor prevention; indeed,
they needed none, and perhaps the very suspense they excited was a
torture that pleased the inhuman jailers. Whatever the reason, the
custom was tolerated, and was apparently enjoyed at that moment by
several of the turnkeys, who sat at the windows, much amused at the
efforts made to communicate. Interested by the sight, I sat down upon a
stone bench to watch the scene, and fancied that I could read something
of the rank and condition of those who signalled from below their
messages of hope or fear. At last a deep bell within the prison tolled
the hour of noon, and now every window was suddenly deserted. It was the
hour for the muster of the prisoners, which always took place before the
dinner at one o'clock. The curious groups soon after broke up. A few
lingered round the gate, with, perhaps some hope of admission to visit
their friends but the greater number departed.
My hunger was now such, that I could no longer deny myself the
long-promised meal, and I looked about me for a shop where I might buy a
loaf of bread. In my search, I suddenly found myself opposite an immense
shop, where viands of every tempting description were ranged with all
that artistic skill so purely Parisian, making up a picture whose
composition Snyders would not have despised. Over the door was a
painting of a miserable wretch, with hands bound behind him, and his
hair cut close in the well-known crop for the scaffold, and underneath
was written, "Au Scelerat;" while on a larger board, in gilt letters,
ran the inscription:
"Boivin Pere et Fils, Traiteurs pour M. lea Condammees."
I could scarcely credit my eyes as I read and re-read this infamous
announcement; but there it stood, and in the crowd that poured
incessantly to and from the door, I saw the success that attended the
traffic. A ragged knot were gathered around the window, eagerly gazing
at something, which, by their exclamations, seemed to claim all their
admiration. I pressed forward to see what it was, and beheld a miniature
guillotine, which, turned by a wheel, was employed to chop the meat for
sausages. This it was that formed the great object of attraction, even
to those to whom the prototype had grown flat and uninteresting.
Public-domain text, read in full here on John Shaqi.
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