Harper's New Monthly Magazine, Volume 1, No. 2, July, 1850.Various
General
Harper's New Monthly Magazine, Volume 1, No. 2, July, 1850.
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
All the austerity and republican enthusiasm of her illustrious ancestor,
Pierre Corneille, seemed to have come down to his young descendant. Even
Rousseau and Raynal, the apostles of democracy, had no pages that could
absorb her so deeply as those of ancient history, with its stirring
deeds and immortal recollections. Often, like Manon Philipon in the
recess of her father's workshop, might Charlotte Corday be seen in her
convent cell, thoughtfully bending over an open volume of Plutarch, that
powerful and eloquent historian of all heroic sacrifices.
When the Abbaye aux Dames was closed, in consequence of the Revolution,
Charlotte was in her twentieth year, in the prime of life, and of
wonderful beauty; and never, perhaps, did a vision of more dazzling
loveliness step forth from beneath the dark convent portal into the
light of the free and open world. She was rather tall, but admirably
proportioned, with a figure full of native grace and dignity: her
hands, arms, and shoulders were models of pure sculptural beauty. An
expression of singular gentleness and serenity characterized her fair,
oval countenance and regular features. Her open forehead, dark and
well-arched eyebrows, and eyes of a gray so deep that it was often
mistaken for blue, added to her natural grave and meditative appearance;
her nose was straight and well formed, her mouth serious but exquisitely
beautiful.
On leaving the convent in which she had been educated, Charlotte Corday
went to reside with her aunt, Madame Coutellier de Bretteville Gouville,
an old royalist lady, who inhabited an ancient-looking house in one of
the principal streets of Caen. There the young girl, who had inherited a
little property, spent several years, chiefly engaged in watching the
progress of the Revolution.
A silent reserve characterized this epoch of Charlotte Corday's life;
her enthusiasm was not external but inward; she listened to the
discussions which were carried on around her without taking a part in
them herself. She seemed to feel instinctively that great thoughts are
always better nursed in the heart's solitude: that they can only lose
their native depth and intensity by being revealed too freely before the
indifferent gaze of the world. Those with whom she then occasionally
conversed took little heed of the substance of her discourse, and could
remember nothing of it when she afterward became celebrated; but all
recollected well her voice, and spoke with strange enthusiasm of its
pure, silvery sound.
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