Kinnaird, the magistrate, was a stout, sanguine man, under the middle height, with a fine, lamping black eye, lively to the last, and a person that "had increased, was increasing, and ought to have been diminished;" which is by no means what he thought of the prerogative. Next to his bottle he was fond of his Horace; and, in the intervals of business at the police-office, would enjoy both in his arm-chair. Between the vulgar calls of this kind of magistracy, and the perusal of the urbane Horace, there must have been a gusto of contradiction, which the bottle, perhaps, was required to render quite palatable. Fielding did not love his bottle the less for being obliged to lecture the drunken. Nor did his son, who succeeded him in taste and office. I know not how a former poet-laureat, Mr. Pye, managed; another man of letters who was fain to accept a situation of this kind. Having been a man of fortune and a member of Parliament, and loving his Horace to boot, he could hardly have done without his wine. I saw him once in a state of scornful indignation at being interrupted in the perusal of a manuscript by the monitions of his police-officers, who were obliged to remind him, over and over again, that he was a magistrate, and that the criminal multitude were in waiting. Every time the door opened, he threatened and he implored "Otium divos rogat in patenti Prensus." Had you quoted this to Mr. Kinnaird, his eyes would have sparkled with good-fellowship: he would have finished the verse and the bottle with you, and proceeded to as many more as your head could stand. Poor fellow, the last time I saw him, he was an apparition formidably substantial. The door of our host's dining-room opened without my hearing it, and, happening to turn round, I saw a figure in a great coat literally almost as broad as it was long, and scarcely able to articulate. He was dying of a dropsy, and was obliged to revive himself, before he was fit to converse, by the wine that was killing him. But he had cares besides, and cares of no ordinary description; and, for my part, I will not blame even his wine for killing him, unless his cares could have done it more agreeably. After dinner that day, he was comparatively himself again, quoted his Horace as usual, talked of lords and courts with a relish, and begged that _God save the King_ might be played to him on the piano-forte; to which he listened, as if his soul had taken its hat off. I believe he would have liked to die to _God save the King_, and to have "waked and found those visions true." [From Colburn's New Monthly Magazine.] ODE TO THE SUN. BY LEIGH HUNT.