still palpably inferior: no world-renowned minstrel has yet arisen in the New Atlantis, and the number of those versifiers who have attained a decided name and place among the lighter English literature of their day, or whose claims to the title of poet are acknowledged _in all sections_ of their own country, is but small. If we come to inquire into the causes of this deficiency, we are apt at first to light upon several reasons why it should _not_ exist. In the first place, there is nothing unpoetical about the country itself, but every thing highly the reverse. All its antecedents and traditions, its discovery, its early inhabitants, its first settlement by civilized men, are eminently romantic. It is not wanting in battle-grounds, or in spots hallowed by recollections and associations of patriots and sages. The magnificence of its scenery is well known. The rivers of America are at the same time the most beautiful and the most majestic in the world: the sky of America, though dissimilar in hue, may vie in loveliness with the sky of Italy. No one who has floated down the glorious Hudson (even amid all the un-ideal associations of a gigantic American steamer), who has watched the snowy sails--so different from the tarry, smoky canvas of European craft--that speck that clear water; who has noticed the faultless azure and snow of the heaven above, suggesting the highest idea of purity, the frowning cliffs that palisade the shore, and the rich masses of foliage that overhang them, tinged a thousand dyes by the early autumn frost--no one who has observed all this, can doubt the poetic capabilities of the land.