But carriages and wagons are also built here. You enter a shed (of two stories this time), and find wood shavings instead of iron filings, and the hissing of a circular saw instead of the quiet, steady scraping of a "cutter." Here all the woodwork of the carriages is executed, and when ready they are hoisted through a large trap-door in the roof to the second story, where they are painted and varnished, and, if first-class, "up-holstered." In a store-room above stairs, are piled heaps of cushions ready for the most expensive carriages; at a table is a boy stuffing with horse-hair the leathern belts that hang by the sides of the windows; and elsewhere an artist is painting the arms of the company on the panels of a door. Here and there are boards placed before a carriage, with the intimation "Wet!" indicating that you must not go too near; and some of the carriages give evidence of having seen service, but are now renewing their youth under the skillful hands of the painter and the upholsterer. When ready to "go on the line," they are let down through the trap-door, fixed on their wheels and axles, and sent to relieve others that require repair. Six o'clock strikes, and work ceases. In walking back leisurely to the station, I saw many of the workmen digging in their little gardens, "bringing themselves," as Emerson phrases it, "into primitive relations with the soil and nature;" others were reading the papers of the day at the Mechanics' Institution; others strolling among the green fields round the town; and others walking to a class-room, to hear a teetotal lecture; while some were proceeding to recreations of a very different kind. I was admitted through the iron gate by the same policeman; the "down" express train arrived, and it conveyed me in an hour and a half to Liverpool, a distance of about forty-five miles, stopping only once at the well-known town of Warrington. [From Chambers's Edinburgh Journal.] STEAM-BRIDGE OF THE ATLANTIC