Harper's New Monthly Magazine, Volume 1, No. 4, September, 1850Various
History
Harper's New Monthly Magazine, Volume 1, No. 4, September, 1850
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
other inheritor than the son of my oldest friend in the world."
Such were his last words to me, as I set forth, in company with a large
party, consisting, for the most part, of under officers and employées
attached to the medical staff of the army. It was a very joyous and
merry fraternity, and, consisting of ingredients drawn from different
pursuits and arms of the service, infinitely amusing from contrast of
character and habits. My chief associate among them was a young
sous-lieutenant of dragoons, whose age, scarcely much above my own,
joined to a joyous, reckless temperament, soon pointed him out as the
character to suit me: his name was Eugene Santron. In appearance he was
slightly formed, and somewhat under-sized, but with handsome features,
their animation rendered sparkling by two of the wickedest black eyes
that ever glistened and glittered in a human head. I soon saw that,
under the mask of affected fraternity and equality, he nourished the
most profound contempt for the greater number of associates, who, in
truth, were, however "braves gens," the very roughest and least-polished
specimens of the polite nation. In all his intercourse with them, Eugene
affected the easiest tone of camaraderé and equality, never assuming in
the slightest, nor making any pretensions to the least superiority on
the score of position or acquirements, but on the whole consoling
himself, as it were, by "playing them off," in their several
eccentricities, and rendering every trait of their vulgarity and
ignorance tributary to his own amusement. Partly from seeing that he
made me an exception to this practice, and partly from his perceiving
the amusement it afforded me, we drew closer toward each other, and
before many days elapsed, had become sworn friends.
There is probably no feature of character so very attractive to a young
man as frankness. The most artful of all flatteries is that which
addresses itself by candor, and seems at once to select, as it were, by
intuition, the object most suited fur a confidence. Santron carried me
by a _coup de main_ of this kind, as taking my arm one evening, as I was
strolling along the banks of the Moselle, he said,
Public-domain text, read in full here on John Shaqi.
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